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Because You Watched Live in Chicago 24 Available Shows

  • What Did You Expect? Live At Cat's Cradle

    The Archers Of Loaf

    Year: 2010

    Runtime: 1 hr 29 min

    Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two hometown concerts at Cat's Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement of this extraordinary band.

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  • Talk to the Hand: Live in Michigan

    Barenaked Ladies

    Year: 2006

    Runtime: 1 hr 10 min

    With over ten million albums sold worldwide, including one multi-platinum album (Stunt) and two platinum albums (Maroon and Rock Spectacle) in the U.S., Barenaked Ladies are one of Canada's greatest musical exports. Now, they cross the border once again for their first-ever live DVD Talk to the Hand: Live in Michigan. With a blend of classics including "One Week," "Pinch Me" and "If I Had $1000000," and hits from the recent releases Barenaked Ladies Are Me and Barenaked Ladies Are Men, this concertshows not only why Barenaked Ladies remain loved by their many fans, but also why they are one of the world's greatest touring bands.

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  • Starshaped

    Blur

    Year: 1993

    Runtime: 1 hr

    Three years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This 126 minute tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.

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  • The Battle of Mexico City

    Rage Against The Machine

    Year: 1999

    Runtime: 1 hr 35 min

    Outside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.

    One of the greatest live acts in music history, Rage only affirms that fact with this show. Whatever club, theater, arena, or stadium they're in, the opening of each Rage Against the Machine show always feels like a grenade has gone off. But this night it was as if a truckful of bombs blew up as the band tore into the opening salvo of "Testify." Fans cascaded toward the stage like rippling waves stopping only to pogo up-and-down like jackhammers.

    Longtime supporters of various political causes in Mexico, Rage were performing for the very first time in Mexico City. The connection between the band and the audience is electric. From the early "all hell can't stop us now" chant in "Guerilla Radio" to the blood-curling screams in the finale of "Freedom," there is an urgency at this show that is unrivaled. This is live rock & roll as it's meant to be heard: fierce, funky, uncompromising. This is Rage Against the Machine in their finest hour.

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  • Bug Live at 9:30 Club: In the Hands of the Fans

    Dinosaur Jr.

    Year: 2011

    Runtime: 1 hr 3 min

    Through an online contest, six fans are selected to film Dinosaur Jr. performing ""Bug"" in its entirety at the 9:30 Club in Washington DC, June 2011. Experience the fans' joy as they witness a classic performance and meet their heroes face to face in an exclusive interview with the band. Under the awesome direction of Dave Markey (The Year Punk Broke), ""In the Hands of the Fans"" brings the fans closer to the band and the music closer to you. Includes bonus footage of Henry Rollins speaking candidly to Markey about the the band, and interviewing them on stage before the show.

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  • The Morning View Sessions

    Incubus

    Year: 2001

    Runtime: 1 hr 49 min

    October 23, 2001, on the release day of their album "Morning View," Incubus assembled in Sony's New York City studios to perform an intimate concert of their new material.

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  • Screamadelica -Live

    Primal Scream

    Year: 2010

    Runtime: 1 hr 18 min

    Primal Scream's seminal album "Screamadelica" defined a generation. It's mix of rock, dance, dub, gospel and more caught the zeitgeist of the early nineties to perfection and it went on to win the inaugural Mercury Music Prize in 1992 and consistently be named as "Best Album Of The Nineties" and appear in numerous "All Time Best Albums" lists. This show, filmed on November 26th 2010 at London's Olympia, was the first time that Primal Scream had performed the whole album live and it became one of the "must see" gigs of the year. The band was accompanied by a brass section and a gospel choir with back projections specially created for the event. The result was a stunning musical and visual triumph and proved, if it needed to be, that Screamadelica is one of the finest albums ever made and that Primal Scream are one of the truly great live bands.

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  • We Come In Pieces

    Placebo

    Year: 2010

    Runtime: 1 hr 24 min

    This concert was filmed at London’s Brixton Academy in September 2010 at the culmination of the world tour in support of their “Battle For The Sun” album released the previous year. The tour had been an unqualified success with the band playing to over 2.5 million fans in all parts of the world. The concert film is a visual feast enhancing the live footage with skillful editing and selective digital effects to create a stunning film that really captures the essence of a Placebo live performance.

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  • August and Everything After

    Counting Crows

    Year: 2007

    Runtime: 1 hr 18 min

    Counting Crows’ debut album “August and Everything After” was an instant success on its release in late 1993 and went on to sell over 7 million copies in America. In the UK it charted at No.16 and has sold over 400,000 copies. On September 18, 2007, the band performed the complete album live for the first time at Town Hall in New York City. The gig was filmed in high definition and is now presented here as the first ever Counting Crows live concert release. The band has maintained a hugely successful career with global album sales now in excess of 20 million but they have always saved their finest moments for the live arena.

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  • The Tragically Hip In Bobcaygeon: A Film By Andy Keen

    The Tragically Hip

    Year: 2012

    Runtime: 1 hr 42 min

    It was one of the most anticipated events in the history of Canadian music. The Tragically Hip, Canada's most beloved rock band, was headlining a festival concert in Bobcaygeon - the small Ontario town, population 2,500, that inspired one of the group's most popular and enduring songs. 25,000 fans from across North America and Europe would make the pilgrimage. This is the story of a monumental concert, told through intimate footage of devoted Hip fans, the townspeople who embraced them, and of the inimitable band who, after more than 25 years of playing music together, have come to represent the soul of Canadian rock.

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  • Evolution of a Song: Season Recap

    O.A.R.

    Year: 2016

    Runtime: 5 min

    The last episode of "Evolution of a Song" finds the band, management, and label coming together to decide on the single for radio. After much debate, the decision becomes clear and the band gets the opportunity to promote and hear their song premiered live in New York City.

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  • Love is Here: Live

    Starsailor

    Year: 2001

    Runtime: 1 hr 17 min

    Some would say that Starsailor are Chorley's biggest contribution to modern culture since the opening of the nearby Charnock Richard M6 motorway services in the 1960s. Like the aforementioned favourite resting point for Blackpool day-trippers Love Is Here (Live), will become a solid, long-stay favourite for fans. Recorded in November 2001, one month after the release of their debut album and while they were still being lauded as "the next big thing", the main feature is a live run through of the album. New composition "Some of Us" and the B-side "From a Whisper to a Scream" are also performed, along with versions of Leonard Cohen's "Hallelujah" and Elton John's "Rocket Man". The concert footage and the audio (Dolby 5.1) are of a high quality, and breakthrough tracks "Poor Misguided Fool" and "Alcoholic" sound stunning. The show is hampered, though, by the limited material the guys can draw upon, and Walsh's repetitive melancholic delivery of existing songs. What does become apparent is that after a couple more albums and a little more musical experimentation Starsailor are on course to be live giants.

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  • A National Celebration

    The Tragically Hip

    Year: 2017

    Runtime: 2 hr 42 min

    The farewell concert of the Canadian rock band, The Tragically Hip.

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  • No Distance Left to Run

    Blur

    Year: 2009

    Runtime: 1 hr 42 min

    Filmed throughout the band's 2009 rehearsals and acclaimed summer tour, No Distance Left To Run finds all four members of Blur together for the first time in nine years. With previously unseen archive material alongside new interviews and reportage, the film recounts the highs and lows of a very British band from the late '80s to their headline return at Glastonbury and Hyde Park. The result is a musing on Englishness and identity and a portrait of friendship and resolution.

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  • Live at Soundstage

    Counting Crows

    Year: 2003

    Runtime: 53 min

    The Counting Crows know how to have fun. Lead Singer Adam Duritz rocks his way through an evening in which poetry seems to explode from the band's repertoire of blues/rock/country hits. Fresh off the release of their greatest hits album Films About Ghosts (taken from a line in the song "Mrs. Potter's Lullaby"), the band reflects on its 10-year history in a Soundstage episode that highlights the iconic "Mr. Jones," along with other up-tempo tunes including "Hangin' Around," "Rain King" and "Mrs. Potter's Lullaby." Duritz slows down in the mournful rendition of "A Long December" but reinvigorates the mood with the rootsy "American Girls." Other hits featured include "Recovering the Satellites," and "She Don't Want Nobody Near."

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  • One Mile High...Live

    Garbage

    Year: 2013

    Runtime: 1 hr 33 min

    After a five year break, 2012 saw Garbage back in the spotlight with a new studio album "Not Your Kind Of People" followed by their first world tour in seven years. Filmed on this tour at the Ogden Theatre in Denver, Colorado on October 6th, "One Mile High...Live" is the first ever film of a full Garbage concert. Charismatic singer Shirley Manson leads from the front propelled by the twin guitars of Steve Marker and Duke Erikson and the powerhouse drumming of Butch Vig with Eric Avery providing bass guitar for the live shows. The band mix highlights from the new album with classic tracks from across their career to produce the ultimate Garbage live experience.

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  • PausePlay Interview

    Liam Gallagher

    Year: 2017

    Runtime: 9 min

    Music legend, Liam Gallagher, hung out with PausePlay to talk about being a gentleman, life in Oasis, his new album, As You Were, and how Madonna changed his life forever.

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  • Acoustic - Live in Newport

    Pixies

    Year: 2006

    Runtime: 56 min

    The Pixies are one of the most influential American acts of all time. Initially spanning the late eighties and early nineties they created the blueprint for alternative rock that would be followed and embellished upon by everyone from grunge to Britpop. After 10 years apart the Pixies reformed in 2004. This film features their first ever all acoustic performance filmed at the famous Newport Folk Festival and is a companion to the simultaneously released Club Date: Live At The Paradise Club, Boston.

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  • The Beat is the Law: Fanfare For The Common People

    Pulp

    Year: 2011

    Runtime: 1 hr 31 min

    Glastonbury Festival, 1995: The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. As last minute replacements, Pulp take to the stage to face 80,000 people. They deliver a set regarded as one of the best in the festival’s history and are catapulted to the forefront of the Britpop movement—an achievement that ten years earlier seemed like an impossible dream. Made with the full cooperation of Pulp, The Beat is the Law brings together original interviews, performances, promos, newly unearthed live footage and home videos to tell the story of Pulp and their contemporaries’ journey from the darkest industrial depths of Sheffield to the pinnacle of pop via the consciousness-raising techno/house of Warp Records. Featuring original interviews with Pulp’s Jarvis Cocker, Russell Senior, Candida Doyle and Nick Banks, plus Richard Hawley (Longpigs), Mark Brydon (Chakk/FON/Moloko), Rob Gordon (FON/Warp), Adi Newton (Clock DVA) and many more!

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  • Live at the Grand Olympic Auditorium

    Rage Against The Machine

    Year: 2003

    Runtime: 2 hr 4 min

    Rage Against The Machine return to their hometown of Los Angeles for an uncompromising, incendiary set in Live At The Grand Olympic Auditorium, the final dates of their Battle of Los Angeles tour and the band's last shows until their 2007 reunion.

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  • Busted Circuits and Ringing Ears

    Tad

    Year: 2007

    Runtime: 1 hr 30 min

    This film spans the entire career of Tad, featuring archival live footage, interviews, music videos, and lost footage, as well as new footage and interviews with the band members and Krist Novoselic (Nirvana), Mark Arm (Mudhoney), Kim Thayil (Soundgarden), Chad Channing (Nirvana), and many others. TAD took the idea of playing LIVE very seriously; it was a life or death matter. This documentary not only stands as testimony, but it's also a cinematic document of the world's HEAVIEST band EVER (as Bruce Pavitt so incisively puts it) boldly stretching that assertion beyond any previously known limitations. Better than a tattoo, it's an open scar that roars, a broken alarm bell ringing from the lost event horizon of a long-dead star, one would never see - that is, until this film clipped it back onto the light box of the silver screen, where it can be deciphered and viewed anew. This documentary telescopes the musical pathology of Tad down to the image of an electrocardiograph recording the minor-mode melody of a final infarct, a demented soundtrack that is neither tame nor de-clawed. It was never meant to be. Dare to feel it, and risk bleeding internally.

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  • MTV Unplugged

    Alice In Chains

    Year: 1995

    Runtime: 1 hr 13 min

    Alice In Chains' raw appearance on MTV Unplugged was their first live show in more than two years, and one of the last with legendary vocalist Layne Staley.

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  • Live

    Korn

    Year: 2016

    Runtime: 2 hr 10 min

    To celebrate the release of their tenth studio album, The Path Of Totality, legendary rockers Korn performed live to a sold-out crowd at the Hammerstein Ballroom, New York. This performance showcases the band in top form, highlighting landmark songs such as "Freak On A Leash" and "Falling Away From Me" as well as new smash hits including "Get Up!" and "Narcissistic Cannibal."

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  • Beside You In Time

    Nine Inch Nails

    Year: 2006

    Runtime: 1 hr 32 min

    Capturing the powerful intensity and artistry of Nine Inch Nails amazing live performances during the 2005-2006 “Live: With Teeth” Tour, the Beside You In Time concert film showcases the band in peak form. A visually stunning experience with an array of inventive and ingenious lighting designs that draws the viewer in while focusing the force of NIN’s epic sound into visual form.

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