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Blur

Year: 1994

Runtime: 01:00:00

Three years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This 126 minute tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.

Blur Available In:

Rock, Alternative, Documentary

Genres You May Like:

Rock, Alternative, Documentary, Pop, Punk

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  • The Tragically Hip In Bobcaygeon: A Film By Andy Keen

    The Tragically Hip

    Year: 2012

    Runtime: 1 hr 42 min

    It was one of the most anticipated events in the history of Canadian music. The Tragically Hip, Canada's most beloved rock band, was headlining a festival concert in Bobcaygeon - the small Ontario town, population 2,500, that inspired one of the group's most popular and enduring songs. 25,000 fans from across North America and Europe would make the pilgrimage. This is the story of a monumental concert, told through intimate footage of devoted Hip fans, the townspeople who embraced them, and of the inimitable band who, after more than 25 years of playing music together, have come to represent the soul of Canadian rock.

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  • No Distance Left to Run

    Blur

    Year: 2009

    Runtime: 1 hr 42 min

    Filmed throughout the band's 2009 rehearsals and acclaimed summer tour, No Distance Left To Run finds all four members of Blur together for the first time in nine years. With previously unseen archive material alongside new interviews and reportage, the film recounts the highs and lows of a very British band from the late '80s to their headline return at Glastonbury and Hyde Park. The result is a musing on Englishness and identity and a portrait of friendship and resolution.

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  • The Beat is the Law: Fanfare For The Common People

    Pulp

    Year: 2011

    Runtime: 1 hr 31 min

    Glastonbury Festival, 1995: The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. As last minute replacements, Pulp take to the stage to face 80,000 people. They deliver a set regarded as one of the best in the festival’s history and are catapulted to the forefront of the Britpop movement—an achievement that ten years earlier seemed like an impossible dream. Made with the full cooperation of Pulp, The Beat is the Law brings together original interviews, performances, promos, newly unearthed live footage and home videos to tell the story of Pulp and their contemporaries’ journey from the darkest industrial depths of Sheffield to the pinnacle of pop via the consciousness-raising techno/house of Warp Records. Featuring original interviews with Pulp’s Jarvis Cocker, Russell Senior, Candida Doyle and Nick Banks, plus Richard Hawley (Longpigs), Mark Brydon (Chakk/FON/Moloko), Rob Gordon (FON/Warp), Adi Newton (Clock DVA) and many more!

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  • Busted Circuits and Ringing Ears

    Tad

    Year: 2007

    Runtime: 1 hr 30 min

    This film spans the entire career of Tad, featuring archival live footage, interviews, music videos, and lost footage, as well as new footage and interviews with the band members and Krist Novoselic (Nirvana), Mark Arm (Mudhoney), Kim Thayil (Soundgarden), Chad Channing (Nirvana), and many others. TAD took the idea of playing LIVE very seriously; it was a life or death matter. This documentary not only stands as testimony, but it's also a cinematic document of the world's HEAVIEST band EVER (as Bruce Pavitt so incisively puts it) boldly stretching that assertion beyond any previously known limitations. Better than a tattoo, it's an open scar that roars, a broken alarm bell ringing from the lost event horizon of a long-dead star, one would never see - that is, until this film clipped it back onto the light box of the silver screen, where it can be deciphered and viewed anew. This documentary telescopes the musical pathology of Tad down to the image of an electrocardiograph recording the minor-mode melody of a final infarct, a demented soundtrack that is neither tame nor de-clawed. It was never meant to be. Dare to feel it, and risk bleeding internally.

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  • What Did You Expect? Live At Cat's Cradle

    The Archers Of Loaf

    Year: 2010

    Runtime: 1 hr 29 min

    Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two hometown concerts at Cat's Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement of this extraordinary band.

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  • Malfunkshun: The Andrew Wood Story

    Andrew Wood

    Year: 2010

    Runtime: 1 hr 39 min

    The film Malfunkshun – The Andrew Wood Story is presented for the world to experience the life of the fallen LoveChild, Andrew Wood. Directed by Scot Barbour, he artfully paints the story of Andy’s childhood and his relationships, his dreams and his darkness, his passion and his pain with haunting lyrics and intimate conversations with family, friends and never-before-seen interviews with Andy himself. It is a story about how one beautiful, yet damaged soul was the inspiration for some of Seattle’s greatest musicians.

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  • Talk to the Hand: Live in Michigan

    Barenaked Ladies

    Year: 2006

    Runtime: 1 hr 10 min

    With over ten million albums sold worldwide, including one multi-platinum album (Stunt) and two platinum albums (Maroon and Rock Spectacle) in the U.S., Barenaked Ladies are one of Canada's greatest musical exports. Now, they cross the border once again for their first-ever live DVD Talk to the Hand: Live in Michigan. With a blend of classics including "One Week," "Pinch Me" and "If I Had $1000000," and hits from the recent releases Barenaked Ladies Are Me and Barenaked Ladies Are Men, this concertshows not only why Barenaked Ladies remain loved by their many fans, but also why they are one of the world's greatest touring bands.

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  • The Battle of Mexico City

    Rage Against The Machine

    Year: 1999

    Runtime: 1 hr 35 min

    Outside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.

    One of the greatest live acts in music history, Rage only affirms that fact with this show. Whatever club, theater, arena, or stadium they're in, the opening of each Rage Against the Machine show always feels like a grenade has gone off. But this night it was as if a truckful of bombs blew up as the band tore into the opening salvo of "Testify." Fans cascaded toward the stage like rippling waves stopping only to pogo up-and-down like jackhammers.

    Longtime supporters of various political causes in Mexico, Rage were performing for the very first time in Mexico City. The connection between the band and the audience is electric. From the early "all hell can't stop us now" chant in "Guerilla Radio" to the blood-curling screams in the finale of "Freedom," there is an urgency at this show that is unrivaled. This is live rock & roll as it's meant to be heard: fierce, funky, uncompromising. This is Rage Against the Machine in their finest hour.

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  • Single Video Theory

    Pearl Jam

    Year: 1998

    Runtime: 45 min

    Single Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.

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  • Pretend We're Dead

    L7

    Year: 2017

    Runtime: 1 hr 27 min

    L7: Pretend We're Dead takes us on an all-access journey into the 1990's grunge movement that took the world by storm, and the band that helped define it as the genre of a generation. Culled from over 100 hours of vintage home movies taken by the band, never-before-seen performance footage, and candid interviews, L7: Pretend We're Dead is an engrossing time capsule told from the perspective of L7, these true insiders who brought their signature blend of grunge punk to the masses! Chronicling the early days of the band's formation in 1985 to their height as the 'queens of grunge,' the film takes a roller coaster ride through L7's triumphs and failures, providing never-before-discussed insight into the band's eventual dissolution in 2001. Formed by Donita Sparks and Suzi Gardner-guitars/vocals, the band completed their lineup with the addition of Jennifer Finch on bass/vocals and Dee Plakas on drums. To highlight the fact that L7 was an all-female group, however, was to miss the point. "Our fans couldn't give a shit if we're women," Sparks says. "We did not set out to be an all-girl band. It just happened that way." Yet the "gender issue" would return time and again for the band; from shock jocks refusing to play "chick rock" to academics accusing the band of "incorrectly" embracing their feminism to hard rock press implying the band was merely riding a wave of "girl power" trendiness. Despite these obstacles, L7: Pretend We're Dead shows the thread of influence the band had not only on rock and roll but on future generations of women everywhere and is, at the end, a testament to the pioneering spirit of a band that refuses to take anything lying down. "They can't hear a word we said, when we pretend that we're dead" Also includes the infamous 1997 documentary "L7 The Beauty Process" that was directed by Krist Novoselic.

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  • Frat Party At the Pankake Festival

    Linkin Park

    Year: 2000

    Runtime: 56 min

    "Frat Party At the Pankake Festival" features 6 music videos including "One Step Closer," "In The End" and "Cure For The Itch." Also includes live performances of "Points Of Authority" and "Crawling" taped at the Dragon Festival in Southern California in February 2001.

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  • Daybreak

    Saves The Day

    Year: 2010

    Runtime: 22 min

    This Documentary provides a rare window inside the making of the new album, this special film takes fans inside the studio as the band records their sixth LP. In anticipation of the release, Saves the Day will release a series of trailers and clips this October allowing fans to catch an early glimpse of the band.
    “We really put a lot of ourselves into these songs,” says frontman Chris Conley of Saves the Day. “After spending time writing, playing and recording them, we’re psyched to get the music out for everyone to hear. I think these are some of the most personal tracks we’ve recorded and it was also the most fun experience we’ve had recording so far.”

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  • Bug Live at 9:30 Club: In the Hands of the Fans

    Dinosaur Jr.

    Year: 2011

    Runtime: 1 hr 3 min

    Through an online contest, six fans are selected to film Dinosaur Jr. performing ""Bug"" in its entirety at the 9:30 Club in Washington DC, June 2011. Experience the fans' joy as they witness a classic performance and meet their heroes face to face in an exclusive interview with the band. Under the awesome direction of Dave Markey (The Year Punk Broke), ""In the Hands of the Fans"" brings the fans closer to the band and the music closer to you. Includes bonus footage of Henry Rollins speaking candidly to Markey about the the band, and interviewing them on stage before the show.

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  • The Morning View Sessions

    Incubus

    Year: 2001

    Runtime: 1 hr 49 min

    October 23, 2001, on the release day of their album "Morning View," Incubus assembled in Sony's New York City studios to perform an intimate concert of their new material.

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  • PausePlay Interview

    Liam Gallagher

    Year: 2017

    Runtime: 9 min

    Music legend, Liam Gallagher, hung out with PausePlay to talk about being a gentleman, life in Oasis, his new album, As You Were, and how Madonna changed his life forever.

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  • Classic Albums: Screamadelica

    Primal Scream

    Year: 2011

    Runtime: 58 min

    This Classic Albums series tells the story behind the making of this legendary album. There are contributions from all the band members, main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved in the creation of this masterpiece.

    Primal Scream's seminal album Screamadelica was released in 1991, and synthesized the band's rock 'n' roll roots with the dance culture of that time; for many, the album's sound and imagery came to be regarded as quintessential symbols of the acid house era, perfectly catching the spirit and mood of the early 90s.

    Using rare archive footage and special performances, this film tells the story of Screamadelica and its hit singles and dance anthems Loaded, Movin' On Up, Come Together and Don't Fight It, Feel It. From the formation of the band in Glasgow to winning the first-ever Mercury prize, the band members explain the record's inception with insights from main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved with or inspired by this joyful record.

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  • Screamadelica -Live

    Primal Scream

    Year: 2010

    Runtime: 1 hr 18 min

    Primal Scream's seminal album "Screamadelica" defined a generation. It's mix of rock, dance, dub, gospel and more caught the zeitgeist of the early nineties to perfection and it went on to win the inaugural Mercury Music Prize in 1992 and consistently be named as "Best Album Of The Nineties" and appear in numerous "All Time Best Albums" lists. This show, filmed on November 26th 2010 at London's Olympia, was the first time that Primal Scream had performed the whole album live and it became one of the "must see" gigs of the year. The band was accompanied by a brass section and a gospel choir with back projections specially created for the event. The result was a stunning musical and visual triumph and proved, if it needed to be, that Screamadelica is one of the finest albums ever made and that Primal Scream are one of the truly great live bands.

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  • The Unheard Music

    X

    Year: 1984

    Runtime: 1 hr 24 min

    X: The Unheard Music takes long, detailed, and often funny look at the LA music scene of the late 70s and 80s and focuses on the group that critics had singled out as the leader of the underground pack. The Unheard Music is a documentary that combines live footage of the band and interviews with the four members (as well as their friends and families) with surreal music videos and montages of newsreel footage and vintage television commercials which help to illustrate X's uphill struggle against the music industry. Their story rings true even today.

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  • Desert Age

    Various Artists

    Year: 2016

    Runtime: 1 hr 16 min

    In the early 1980’s, growing in a similar yet geographically separate way to the “grunge” movement in Seattle, was a new and lesser known genre of music known as “desert rock.” It was a catch-all style that ultimately evolved from jam-band generator parties that took place in remote desert locations outside of Palm Springs, CA. "Desert Age" traces the complete historical lineage of the people, places and bands that shaped that scene and genre to this day. The film is comprised of exclusive interviews, private photos and home videos that offer in-depth access to a scene that has remained insulated and undocumented until now.

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  • Live in Chicago

    Jeff Buckely

    Year: 1995

    Runtime: 1 hr 38 min

    This film was recorded at The Cabaret Metro on May 13,1995, in the midst of Jeff's Mystery White Boy tour. Jeff brings together songs from Grace, classic cover tunes, a previously unavailable Buckley composition (What Will You Say? ), a previously unreleased instrumental version of Vancouver, and brilliantly illuminating between-the-songs-on-stage banter.

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  • We Come In Pieces

    Placebo

    Year: 2010

    Runtime: 1 hr 24 min

    This concert was filmed at London’s Brixton Academy in September 2010 at the culmination of the world tour in support of their “Battle For The Sun” album released the previous year. The tour had been an unqualified success with the band playing to over 2.5 million fans in all parts of the world. The concert film is a visual feast enhancing the live footage with skillful editing and selective digital effects to create a stunning film that really captures the essence of a Placebo live performance.

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  • 1. Evolution of a Song: O.A.R.

    O.A.R.

    Year: 2016

    Runtime: 23 min

    Twenty years into their career as a hard-working, hard-touring band with some hard-won success under their collective belt, O.A.R. is in the studio to create their next single. Evolution of a Song offers an all access perspective on the sometimes winding route a song takes from idea to recording to release. In episode one, we find O.A.R. at the start of this process and coming to grips with what it will take to create (and document) what could be their next important and lasting anthem….or not. We also hear from the band’s label, management, and songwriting peers on their reactions to and expectations for this truly unique approach to the creative process.

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  • Origins/Evolution

    Kittie

    Year: 2017

    Runtime: 1 hr 34 min

    Thrust into heavy metal stardom as teenagers with their debut release, the all-female Kittie has thrashed the heavy metal world for more than twenty years. With six albums, over two million in sales and OzzFest co-headliners on their resume, Kittie has defied industry norms, fought back against “women in rock” stereotypes, and inspired a generation of rockers around the globe. Now for the first time, they are sharing their untold story about the importance of family, perseverance, and the upside-down hurricane of rock ‘n roll that includes a rotating line-up of bandmates, on-going lawsuits and the pressure to live up to the expectations that put them on the map. Generously peppered with archival footage shot by the band, this film gives you an honest and brutal look at what it takes to survive in the music industry and the price of following your dreams.

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  • Love is Here: Live

    Starsailor

    Year: 2001

    Runtime: 1 hr 17 min

    Some would say that Starsailor are Chorley's biggest contribution to modern culture since the opening of the nearby Charnock Richard M6 motorway services in the 1960s. Like the aforementioned favourite resting point for Blackpool day-trippers Love Is Here (Live), will become a solid, long-stay favourite for fans. Recorded in November 2001, one month after the release of their debut album and while they were still being lauded as "the next big thing", the main feature is a live run through of the album. New composition "Some of Us" and the B-side "From a Whisper to a Scream" are also performed, along with versions of Leonard Cohen's "Hallelujah" and Elton John's "Rocket Man". The concert footage and the audio (Dolby 5.1) are of a high quality, and breakthrough tracks "Poor Misguided Fool" and "Alcoholic" sound stunning. The show is hampered, though, by the limited material the guys can draw upon, and Walsh's repetitive melancholic delivery of existing songs. What does become apparent is that after a couple more albums and a little more musical experimentation Starsailor are on course to be live giants.

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