Wiener Philharmoniker Concert Films
Summer Night Concert 2018
Valery Gergiev & Wiener Philharmoniker
Runtime: 1 hr 15 minFor many music lovers, summer means the Vienna Philharmonic’s annual concert at the city’s Schönbrunn Palace—a spectacular live performance of classical favorites in front of more than 100,000 people. Russian Valery Gergiev was 2018’s guest conductor, bringing a taste of Italy to the Austrian capital. Music by the great Italian composers, including arias from Verdi’s Aida, Puccini’s Tosca, and Leoncavallo’s Pagliacci, complement composers inspired by Italy itself—Prokofiev (Romeo & Juliet) and Julius Fučik (Florentiner Marsch) among them. The orchestra is joined by soprano Anna Netrebko for this thrilling, heartwarming, balmy evening of great music-making.
Summer Night Concert 2015
Runtime: 1 hr 33 minThe Vienna Philharmonic performed its annual Summer Night Concert Schönbrunn, an open-air concert with free admission, in the unique ambience of the gardens of Schönbrunn Palace on Thursday, May 14, 2015. Zubin Mehta conducted the Summer Night Concert with Rudolf Buchbinder as soloist.
This year's concert, which also represented the opening concert of the Vienna Festival, was attended by 100,000 visitors.
With this open-air concert in Schönbrunn, the Vienna Philharmonic wishes to provide all Viennese, as well as visitors to the city, with a special musical experience in the impressive setting of Schönbrunn Palace and its beautiful baroque gardens, a UNESCO World Cultural Heritage Site.
Wiener Philharmoniker Top Tracks
Piano Perfection in 3D
Runtime: 31 minLang Lang at Berghain – Piano in perfection in the third dimension! Legendary pianist Lang Lang performs Beethoven, Chopin, Albéniz and Prokofiev in his very unique way. In personal interviews he explains his access to the new technology anf their connection to classical music.
Original and extraordinary – these words describe both the artist and the setting of the shooting: the Berghain in Berlin, one of the most famous clubs all over the world.
Mahler Symphony No. 9
Runtime: 1 hr 23 minThis very Italian conductor, born in Milan in 1933, who was for fifteen years the director of the Scala trained in Vienna with Hans Swarowsky is extremely familiar with the culture of Central Europe, of its literature and its fine arts. It is with the Second symphony by Mahler that he chooses to make his debut, at thirty-two, with the Philharmonic Orchestra of Vienna. The Youth Orchestra he founded in 1986 bears the name of Gustav Mahler. Since then, Abbado continues to exhale the complex beauty of the Viennese composers’ symphonies in all the concert halls of the world.
That evening in April 2004 at the Saint Cecilia Academy in Rome, it is with the very same Gustav Mahler Youth Orchestra that he conducts Mahler’s last symphony that went unfinished, the Ninth Symphony. Composed in 1909, it was premiered in 912 by Bruno Walter, who was a close friend of the composer and whom Abbado heard conduct in Vienna… In this absolute masterpiece of a symphonic work, Claudio Abbado, one with his orchestra, delivers a very moving interpretation which rises like the most beautiful prayer.
The Club Album
Anne Sophie Mutter
Runtime: 1 hr 9 minIn May 2015 Anne-Sophie Mutter put her noble, impressively named “Lord Dunn-Raven” Stradivarius through more than its usual paces. For a change, rather than standing on stage in one of the world’s renowned well-tempered grand concert halls, she spent two evenings playing in a tiny graffiti-scrawled nightclub in the Friedrichshain district of Berlin. The name of the club was Neue Heimat, or “new home”, and on two evenings in early summer it was jam-packed with hip young people.
Live in Warsaw
Runtime: 1 hr 29 minCritics put him on a par with Brendel, Gould or Rubinstein. As a young musician he partnered living legends like Rudolf Serkin, Pablo Casals and Benjamin Britten. Vladimir Horowitz was a teacher and a friend. Today Murray Perahia is a legend in his own right. He numbers among the most sought-after pianists of our time, both on the concert platform and in the recording studio. And all this despite the fact that his career has been repeatedly interrupted by the after-effects of an injury to his right hand. This film gives viewers a rare opportunity to look behind the scenes and observe a world-class pianist at work.
The camera observes him as he works slowly and thoroughly on some of Chopin’s mazurkas, his E major scherzo and Schumann’s ‘Kinderszenen’ (‘Scenes from Childhood’). The settings include his summer retreat in Switzerland, his terraced house in the West End of London and a private concert for friends.
Perahia spends weeks and months exploring the ways in which the various parts of a given work combine to form a whole. Like a skilled psychoanalyst, he uncovers one layer of meaning after another in his single-minded endeavour to fathom the importance of each individual note for the ultimate realisation of a musical masterpiece. ‘As soon as I start working on something, it is with me all the time. I live with the piece – no matter whether I am eating, sleeping, reading a book or talking to my wife – it becomes a part of me.’
Finally, the long-awaited concert in Warsaw. Murray Perahia sits down at the piano and begins to
play. The performance transcends all the theory and analysis that have gone into its preparation. The playing itself is the expression of the pianist’s profound insights, resulting in a truly miraculous rendering. After the concert, members of the audience describe it as ‘out of this world. ’