White Denim Concert Films
At The Fader Sideshow
Runtime: 19 minThe jam indie rock trio White Denim hail from Austin, Texas, where bandmates Josh Block (drums), Steve Terebecki (bass), and James Petralli (guitars, vocals) first set up shop in 2005. All three members were veterans of the Austin scene; Block and Petralli had previously played together in the alt-rock band Parque Torche, while Terebecki was a member of Peach Train. Drawing from a number of punk and garage rock influences, the group fashioned a hard-hitting sound with crunchy guitar riffs and frantic energy.
White Denim Top Tracks
My Morning Jacket
Runtime: 1 hr 58 minVery few bands today deliver the intense and inventive rock jam live music experience that captures the devout loyalty of fans as Kentucky's quintet My Morning Jacket. This dynamic concert film captures the band's 2 sold-out performances during the Z album tour at the legendary Fillmore Auditorium in San Francisco.
Live at Daniel Street Club
Runtime: 25 minThis particular show was captured on a sticky summer night June of 2010 at the Daniel Street club in Milford Connecticut. Though filming in an unfamiliar setting yielded a somewhat tricky production, what follows is a honest, on-stage (and, towards the end...off) account of one of 2010's most exciting bands. Here Surfer Blood take to tangy, sun kissed fret work and stomp the pedal box moments of grit...the band's raw guitar crunch seeping into a heavy sway of multiple, percussive elements. At the helm of the group, John Paul (JP) Pitts flaunts flailing, haphazard kind of vocals, high on reverb and coloring outside the melodious lines like some newbie version of Stephen Malkmus. Not surprisingly, it's a sound that reminisces more of early 90s buzz bin bands than the contemporary indie fixation with weird electronic acrobatics; a refreshing, throwback spin that has felt very of the moment all year long.
Live at M Studio
Runtime: 17 minLos Angeles rock quartet Dawes are conformed by a great, American musical tradition. Lurking in the folds of their amplified crunch of guitars, road ready rhythms, and soulful blasts of organ lay stories that are weary and lonesome...the product of a life lived out of a suitcase, traveling between far flung places. Laurel Canyon, Woodstock, Haight-Ashbury... You know these places, you know their significance. What started with bands like Crosby, Stills, Nash, and Young, Joni Mitchell, Bob Dylan and The Band lives on in Dawes' snarly riffs and stories. Rock and roll's past colliding with the present in the best way possible
That's Dawes, that's their live show, that's their latest release Nothing Is Wrong. Here though, in our latest session vid, the band try on something different...something a bit more informal and intimate. With nothing more than their mighty harmonies and an acoustic guitar, the band gives a glimpse into their most private world with three cuts from Nothing Is Wrong, emulating those moments when guitars are pulled out on tour buses, in hotel rooms, or quiet backstage retreats. After all, Dawes are a traveling band, the kind of group that can't go without that pounding pavement rumbling under their tires. The road, after all, is the greatest musical tradition.
Live at Spiegeltent Festival
Runtime: 1 hr 11 minAs the Godfather of alt-rock and founder and frontman of Dinosaur Jr., J Mascis hardly needs an introduction. Touring on the back of his first solo studio album, Several Shades of Why, Mascis delivers his trademark laconic guitar riffs with an acoustic delicacy. With beautiful, raw vocals sung in his signature style, this is J Mascis laid bare.
Live at The Mercury Lounge
Runtime: 29 minBlitzen Trapper's music went through various genres with each record, bouncing from indie folk to art rock to experimental folk before settling into a rich, dusty brand of Neil Young-inspired alt country. The band formed in 2000 in Portland, Oregon, with songwriter Eric Earley leading a lineup that also included Erik Menteer (guitar, keyboard), Brian Adrian Koch (drums, vocals), Michael Van Pelt (bass), Drew Laughery (keyboard), and Marty Marquis (keyboard, vocals). Before signing a record contract in 2007, the band released three albums on its own dime: an eponymous effort in 2003, Field Rexx in 2005, and the highly acclaimed Wild Mountain Nation in 2007. The latter album landed the group a record deal with Sub Pop.
Live at The Bowery Ballroom
Runtime: 32 minIn the exclusive concert performance video we captured on the first night of the band's stint in NYC, the synergetic spirit that binds the band together is evident enough. Clearly, this is not a tribe who are comfortable with their work merely being good enough. Self confessed "control freaks;" the band and their music is the result of a communal creative process. Watching their interpretation of the Talking Heads' "Warning Sign," it's no great stretch to envision the band spending whole evenings working through single vocal passages. The rhythmic pounce of " Wide Eyes" offers a picture of the band studiously aligning cut and paste, percussive contributions so that each hit can synch with one another. And "Sun Hands" speaks to the band's efforts in holding back during one moment, so that another one can ultimately be that much more explosive. Dramatic, endearing, energetic, and impressive: we know you're going to love what is one of the most exciting bands we have ever had the pleasure to capture.