Dean and Gene Ween's eclectic post-modern pop defies categorization. With a wry sense of humor, in the spirit of the Dead Milkmen's "Bitchin' Camaro" or Tenacious D's "Kyle Took a Bullet for Me," Ween have thumbed their noses at any serious concept of popular music. Each album is, in fact, more a collection of Song Parodies rather than meticulously penned, Bic-worthy anthems. Their synth-driven stabs at soul, R&B, and Punk have truly achieved life-of-the-mushroom-party status. And with song titles such as "Hey Fat Boy (As*hole)," "Reggaejunkiejew," and "Mister Would You Please Help My Pony?" Ween are dead-set on having the last laugh.
Ween Concert Films
Ween Top Tracks
Live at McCarren Park
Runtime: 47 minOftentimes at live shows, musicians of the indie-rock variety get so caught up in all the strut and swagger that goes along with rock music that they forget to be fun. Deerhunter are not that, as evidenced by their performance here at McCarren Park Pool. On the contrary, front man Bradford Cox is a pretty damn funny guy. And while he may look like a young Thurston Moore without the flowing hair, Deerhunter opt out of your typical art-rock arrogance and instead go for a sonically sound show complete with a driving rhythm section and extra catchy guitar riffs. There's even a nutty vocal spot from Cole Alexander of The Black Lips. Top it off with some psychedelic effects and a pretty rhythm guitarist in cheerleader garb, and you've got yourself a Deerhunter performance that's way too fun to miss out on.
Color Me Obsessed
Runtime: 2 hr 3 minFor some aging music fans and kids with a passion for musical history, The Replacements are rock and roll defined. This Minneapolis quartet took a teenage-punk attitude, threw it in a blender with classic and pop rock, and then poured it into a Middle American pint glass. Over the band's 12-year existence, its live sets were magical, a total mess, or both-depending on your mood and the members' respective blood alcohol levels. Gorman Bechard's remarkable history of the 'Mats takes us from their first show as the Impediments to their 1991 onstage breakup in Chicago, and everywhere in between. Bechard bravely eschews including the band's music, photos, and live footage, instead relying solely on the fans: their well-kept memories, hilarious anecdotes, and differing points of views about the foursome's wildly varied discography and infamous antics. Bechard has recruited an impressive roster of influential fans: musicians such as Husker Du, Babes in Toyland, The Decemberists, The Hold Steady, Archers of Loaf, Titus Andronicus, and Goo Goo Dolls; writers such as Jack Rabid, Legs McNeil, Robert Christgau, Jim DeRogatis, and Greg Kot; and actors such as George Wendt, Tom Arnold, and Dave Foley. Sprinkled in among that esteemed group are the more mainstream fans, who often give the most insightful and heartfelt perspectives of all. Follower or not, after taking in COLOR ME OBSESSED, you'll be ready to run home, gather some 'Mats albums, and design a perfect soundtrack of your own.
Meeting People is Easy: A Film by Grant Lee about Radiohead
Runtime: 1 hr 34 minMEETING PEOPLE IS EASY presents a visual diary of Radiohead's 1997-98 world tour in support of their acclaimed album OK COMPUTER. The film includes behind-the-scenes and concert footage of the innovative band in Barcelona, Paris, New York, and Tokyo. Interviews with band members Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien, and Phil Selway, along with director Grant Gee's artfully probing camera, provide candid, revealing insights into the difficulties of dealing with the unwelcome label of "rock star." This often melancholy documentary features clips of songs such as "Lucky," "Airbag," "A Reminder," "Paranoid Android," "Street Spirit," and "Electioneering."
Live at Les Eurockéennes Festival 2016
Runtime: 20 minDiscreet genie, it’s a Music-Man (with capital Ms) that’s coming to Eurockennes. Since Loser in 1993, Beck trims his mix of styles. Sometimes groove, sometimes soft, sometimes rock, psyched or hip-hop. Beck, multi-instrumentalist and talented producer has offered to the last twenty years, it must be admitted, serious masterpieces.
Live at the Enmore Theatre
Runtime: 1 hr 41 minA band and tour that require little introduction, we are extremely psyched to welcome the return of Animal Collective to Australia in December 2009. After a decade of music-making both in band and solo form, the Collective's cult truly exploded with the release of their ninth studio album, Merriweather Post Pavilion. Not even a year old, and the record has already come to be considered a classic of our time.
Acoustic - Live in Newport
Runtime: 56 minThe Pixies are one of the most influential American acts of all time. Initially spanning the late eighties and early nineties they created the blueprint for alternative rock that would be followed and embellished upon by everyone from grunge to Britpop. After 10 years apart the Pixies reformed in 2004. This film features their first ever all acoustic performance filmed at the famous Newport Folk Festival and is a companion to the simultaneously released Club Date: Live At The Paradise Club, Boston.
Bug Live at 9:30 Club: In the Hands of the Fans
Runtime: 1 hr 3 minThrough an online contest, six fans are selected to film Dinosaur Jr. performing ""Bug"" in its entirety at the 9:30 Club in Washington DC, June 2011. Experience the fans' joy as they witness a classic performance and meet their heroes face to face in an exclusive interview with the band. Under the awesome direction of Dave Markey (The Year Punk Broke), ""In the Hands of the Fans"" brings the fans closer to the band and the music closer to you. Includes bonus footage of Henry Rollins speaking candidly to Markey about the the band, and interviewing them on stage before the show.