Upon arrival, the Stranglers were perhaps inappropriately corralled into London's boisterous Punk camp. Like many Punk bands, they specialized in offensive, woman-baiting song lyrics and chord-defacing guitar speed, and they were notorious for mercilessly hectoring their fans who appeared to enjoy the abuse. But though they've been around long enough to witness the style's evolution through its Pre- and Post- phases, calling the Stranglers "Punk" dilutes the term's precision. In the band's early days, they sounded more like a faster, harder Dr. Feelgood than the Sex Pistols and later they started to sound more and more like Phil Collins-Genesis for goths. Between the band's first incendiary LP, Rattus Norvegicus (preceding the arrival of the Pistols' Never Mind the Bollocks by a number of months), and 1986's flame-retardant Dreamtime there is a world of difference. Over their quarter century career in music these quasi-Punk dinosaurs seem to be going the way of all dinosaurs by slowly calcifying into fossils.
The Stranglers Concert Films
Friday the Thirteenth
Runtime: 58 minProbably the most enduring band of the UK punk/new wave era, the legendary Stranglers perform live at Londons spectacular Royal Albert Hall. Accompanied by The Electra Strings
The Stranglers Top Tracks
More Than This
Runtime: 52 minRoxy Musics unique blend of avant-garde rock music and high style set the tone for the whole glam rock era. They were much imitated, but never equalled. This documentary tells the story of Roxy Music through new interviews with band members Bryan Ferry, Phil Manzanera, Andy Mackay, Paul Thompson, Brian Eno, and Eddie Jobson plus many of their contemporaries. The program covers their early years, the classic seventies albums, their re-emergence with a much smoother style in the early eighties, the bands break up and then their hugely successful reunion in the 21st century. The final 15 or so minutes is what fans will be looking forward to the most. From a London concert in 2006, Roxy Music are shown playing "Both Ends Burning," "Editions of You," and "Do The Strand." For anyone interested in the history of one of seventies most inscrutable bands, Roxy Music - More Than This is an excellent addition to your collection.
Live at the Roundhouse London
Runtime: 1 hr 6 minSeminal punk band X-ray Spex release a special live concert film recorded at 2008’s sell-out concert at the Roundhouse through new Future Noise Music imprint Year Zero. The first X-ray Spex live outing since 1979, this performance of their classic album Germ Free Adolescents saw singer Poly Styrene and bassist Paul Dean joined by friends Sid Truelove (anarcho-punk drummer with Rubella Ballet and Flux of Pink Indians), Mark Saxby (former guitarist with Arnold) and Flash (saxophone player, formerly with Rip Rig & Panic, Jah Wobble, Don Cherry and the Slits) at London’s Roundhouse on September 6th 2008 in front of 3,000 raucous fans. In 1976 X-ray Spex were formed by Poly Styrene placing an ad in NME and Melody Maker for "Young Punx Who Want To Stick It Together". For a generation sifting through the wreckage left by punk rock, X-ray Spex truly turned our world day-glo. The combination of tough, razor sharp riffs, kooky sax lines and Poly Styrene’s wonderful voice and incisive lyrics tearing into plastic consumerist society were perfect. Their 1978/79 stay was all too brief - a handful of memorable singles: debut Oh Bondage Up Yours! and the hits The Day The World Turned Day-Glo, Germ Free Adolescents and Highly Inflammable. Versions of all these songs are featured here, alongside previously unreleased new track Bloody War. X-ray Spex transcended punk, influencing a whole new scene of indie kids and post-Riot Grrrl rockers like the Yeah Yeah Yeahs and the Gossip. The band’s innate genius and brilliant song writing makes them as relevant now as they were then. They are that rarest of things, a group that has never dated.
Live In The Land Of The Rising Sun
Runtime: 1 hr 15 minFrom a stage super-heated by over-the-top, rock 'n roll cliche lighting, DEVO faced a sea of Asian Gen X'ers in a 100 degree plus fahrenheit venue in the bowels of Tokyo, Japan. The crowd was swathed in bootlegged energy domes and DEVO T's, mouthing the lyrics to songs we wrote when most of them were loading their diapers with UNi-colored poo. Maybe it was a "Beautiful World" after all!