The Grateful Dead
Born out of the burgeoning West Coast hippie scene in San Francisco's Haight-Ashbury district during the late '60s, and inextricably linked to psychedelic experimentation, the Grateful Dead blended psychedelic folk music and a transformative live experience that grew into the largest, most devoted and longest lived cult following in the history of popular music. Deadhead culture rapidly became more ubiquitous than the music -- the Dead's friendly jams, laid-back tunes and open attitude towards bootlegging inspired a tightly knit community that followed the band around the country and traded tapes of concerts years after they'd been recorded. The Dead's concert performances live forever in the often-altered minds of those who attended show after show, and in thousands of hours of recorded material. The majority of these Dead bootlegs were recorded really well and sound like someone took the time to master and equalize them. Hardcore Deadhead classics like "Jack Straw" re-emphasize why the band's live shows were a musical phenomenon. Those who identified best with the Workingman's Dead and American Beauty LPs will be pleased to know that there is an overwhelming amount of well-record... See More
The Grateful Dead Concert Films
Classic Albums: Anthem To Beauty
The Grateful Dead
Runtime: 60 minThis installment of the Classic Albums series follows the making of two Grateful Dead albums, the fiercely experimental Anthem of the Sun and the understated masterwork American Beauty, which spawned melodic gems like "Sugar Magnolia" and "Ripple." Between the archival scenes and contemporary interviews with band members, the program shows a band making seismic in roads in pop music and five young guys coming to terms with artistry, mortality, and, yes, the pursuit of happiness. There is priceless footage of Neal Cassady driving Ken Kesey's bus and of the Dead, surrounded by martini sipping hipsters, on Playboy After Dark. The best scenes involve band members talking about specific songs (you will never hear Phil Lesh's "Box of Rain" again without thinking of it as a gift to his dying father) or deconstructing a tune by playing each track separately. Intimate and surprisingly cohesive, Anthem to Beauty is a rare glimpse into how the Dead's magic was made.
Dear Jerry: Celebrating the Music of Jerry Garcia
Runtime: 2 hr 34 minThe two and half hour concert film audio recordings feature over 20 once-in-a-lifetime performances honoring Jerry Garcia. Performers include Phil Lesh & Communion, Bob Weir, Bill Kreutzmann's Billy & the Kids, Mickey Hart, Eric Church, Jimmy Cliff, The Disco Biscuits, Peter Frampton, David Grisman, Jorma Kaukonen, Los Lobos, Buddy Miller, Moe., O.A.R., Grace Potter, Allen Toussaint, Trampled By Turtles, Widespread Panic, and Yonder Mountain String Band. Produced by Blackbird Presents blackbirdpresents.com
The Grateful Dead Top Tracks
Classic Albums: Disraeli Gears
Runtime: 49 minCREAM was rock's first true "super group". Combining the extraordinary talents of ERIC CLAPTON, GINGER BAKER and JACK BRUCE, this power trio became the template for many hard rock acts of the seventies. The band remains a huge influence on the genre even to this day. Powered by hits such as "Strange Brew" and "Sunshine of Your Love", Cream's second album, DISRAELI GEARS, moved the band beyond the blues into hard-driving, psychedelic pop. This was the album that not only broke the group in the United States but also established Clapton as an international superstar. This addition of Disraeli Gears to the acclaimed Classic Albums series features brand new interviews with Clapton, Baker and Bruce, along with lyricist Pete Brown, Atlantic Records founder Ahmet Ertegun, John Mayall and Manfred Mann. Also included on this program are acoustic performances, original studio tracks and archival live footage.
Classic Albums: Aja
Runtime: 50 minA vivid portrait of a '70s record that is still as fresh and memorable today as when it was released more than two decades ago. Pioneering pop/jazz band Steely Dan, formed by Donald Fagen and Walter Becker in the early seventies, had already secured five Top 40 albums before the release of Aja in 1977. Aja, however, was to prove to be the biggest selling album of Steely Dan's illustrious career, reaching No. 3 on the Billboard chart and spending a year in the Top 40. Becker and Fagen, renowned for their relentless perfectionism in the recording studio, recall the history of an album that was a year in the making, but rewarded with a Grammy Award and three hit singles. Steely Dan's Aja has proven to be one of the most outstanding jazz-rock albums in the history of popular music and now its story is told in this fascinating documentary.
In Concert: Live at the BBC Radio Theatre
Runtime: 1 hr 16 minSir Van Morrison takes to the stage at The BBC Radio Theatre for an intimate In Concert performance. Belfast born ‘Van the man’ is among popular music's true innovators and arguably one of the most influential vocalists in the history of rock and roll. The Grammy winning Celtic soul troubadour has been fusing R&B, jazz, blues, and Celtic folk throughout his musical career and in this special, he performs a selection of tracks, old and new from his revered back catalogue of work to his new album ‘Keep Me Singing’.
No One Here Gets Out Alive: A Tribute to Jim Morrison
Runtime: 1 hrA full exploration of the controversial and quixotic singer, Jim Morrison, delving into his fascination with cinema and psychology, mysticism and sexuality, poetry and power. In addition to performance clips of the band in action, it features interviews with Ray Manzarek plus the surviving members of the Doors and many others who were instrumental in creating and maintaining the legend. Enjoy No One Here Gets Out Alive along with many more documentaries and full-length Doors concerts during The Doors Digital Festival on Qello Concerts: www.QelloConcerts.com/vip/TheDoorsDigitalFestival
The Doors Digital Festival is a curated collection of concerts and documentaries of, not only The Doors, but also of other artists that fans of The Doors will love.
Live from Gatorville
Runtime: 1 hr 56 minTom Petty and the Heartbreakers are responsible for such infectious songs as "American Girl," and "Don't Do Me Like That," "Free Fallin" and some of the most critically acclaimed albums of all time such as, "Damn the Torpedoes," and "Full Moon Fever." Throughout the years, Tom Petty and the Heartbreakers have continued earning critical praise and fan adoration for their trademark brand of straight-ahead, American rock 'n' roll and their refusal to compromise their integrity. Along the way, they have become recognized as one of America's greatest rock bands and were inducted into the Rock 'n' Roll Hall of Fame in 2002, their first year of eligibility.
All My Friends
Runtime: 2 hr 41 minAll My Friends: Celebrating the Songs & Voice of Gregg Allman captures a once-in-a-lifetime performance honoring one of the most acclaimed and beloved icons in rock and roll history. A founding member of the Allman Brothers Band and successful solo artist in his own right, Allman possesses a voice that has resonated through four decades. The concert features momentous performances by Warren Haynes, Derek Trucks, Susan Tedeschi, Devon Allman, Robert Randolph, Jimmy Hall, Sam Moore, Keb Mo, Brantley Gilbert, Jess Franklin, Dr. John, Pat Monahan, John Hiatt, Jaimoe, Taj Mahal, Gregg Allman, Widespread Panic, Trace Adkins, Vince Gill, Martina McBride, Eric Church, Jackson Brown, Zak Brown, and The Allman Brothers Band with musical direction by Don Was. Shot in high definition with 5:1 Dolby sound at the historic Fox Theatre in Atlanta this remarkable piece pays tribute to a voice that once heard is never forgotten. Produced by Blackbird Presents blackbirdpresents.com
From The Vault L.A. Forum 1975
The Rolling Stones
Runtime: 2 hr 39 min'From The Vault' is a new series of live concerts from The Rolling Stones archive which are getting their first official release. 'L.A. Forum Live In 1975' is the second title in this series. The Rolling Stones Tour Of The Americas '75 was the band's first tour with new guitarist Ronnie Wood. Even before the dates started there were dramatic scenes in New York City at the official tour announcement when the band unexpectedly turned up on a flatbed truck to play 'Brown Sugar'. After a couple of low key warm-up shows in Louisiana the tour took in 44 dates between the 3rd of June and the 8th of August 1975. They settled into the L.A. Forum for a five night stint from July 9th to 13th and this concert film features the show from July 12th. The footage has now been carefully restored and the sound has been newly mixed by Bob Clearmountain for this first official release of the show.
Live In Barcelona
Bruce Springsteen & The E Street Band
Runtime: 2 hr 57 minRecorded in 2002, partly broadcast on CBS and performed to a crowd best described as “deliriously insane,” Barcelona captures the E Street Band with new addition Soozie Tyrell firing on all cylinders on the tour behind The Rising. Barcelona marked the first time that a complete Springsteen show was released on either audio or video.
Jimi Plays Berkeley
Runtime: 1 hr 13 minThis special, expanded edition of Jimi Plays Berkeley showcases some of Jimi's finest ever performances filmed over two concerts at the Berkeley Community Theatre on May 30, 1970. The film documented the political unrest and student uprisings in Berkeley juxtaposed against such legendary Hendrix live performances as "Johnny B. Goode," "Star Spangled Banner," "I Don t Live Today" and "Purple Haze."
This deluxe edition also includes:
A new, digitally restored transfer from the original 16mm negative. More than fifteen minutes of newly discovered, previously unseen documentary and performance footage of such classic songs as "Voodoo Child (Slight Return)," "Machine Gun" and "Hear My Train A Comin'" not featured in the original film release.
Live at the Summer Camp Music Festival, Day 2
Runtime: 2 hr 26 minFrom modest beginnings in a Buffalo basement over two decades ago to today’s multifaceted success, the members of moe. have never lost sight of the earnest, elemental goals that they aspired to from their very first show: to deliver honest, heartfelt music and to ensure the audience has a good time. Considerate and conscientious in their actions and decision-making, moe.’s refreshingly unpretentious attitude has won them a devoted legion of dedicated fans (ranging from seasoned concert-goers to eager young newcomers) and has given rise to a thriving cottage industry – a self-contained nation-state in which the band and their audience live as equals, thriving on a reciprocal appreciation rare in today’s increasingly fragmented musical landscape. 2010 marks the twentieth anniversary of moe.’s frontline of Rob Derhak (bass, vocals), Chuck Garvey (guitar, vocals), and Al Schnier (guitar, keyboards, vocals), who continue to perform together with the addition of drummer Vinnie Amico and percussionist and multi-instrumentalist Jim Loughlin. Keeping a consistent lineup intact and productive over two decades is no small feat. moe.’s saga is made all the more remarkable because they have consistently done so on their own terms, as independent artists who actively manage their own affairs while staying well ahead of industry and technological developments, including successfully self-releasing their own music and offering instant on-site digital concert recordings at their shows.from seasoned concert-goers to eager young newcomers) and has given rise to a thriving cottage industry – a self-contained nation-state in which the band and their audience live as equals, thriving on a reciprocal appreciation rare in today’s increasingly fragmented musical landscape. 2010 marks the twentieth anniversary of moe.’s frontline of Rob Derhak (bass, vocals), Chuck Garvey (guitar, vocals), and Al Schnier (guitar, keyboards, vocals), who continue to perform together with the addition of drummer Vinnie Amico and percussionist and multi-instrumentalist Jim Loughlin. Keeping a consistent lineup intact and productive over two decades is no small feat. moe.’s saga is made all the more remarkable because they have consistently done so on their own terms, as independent artists who actively manage their own affairs while staying well ahead of industry and technological developments, including successfully self-releasing their own music and offering instant on-site digital concert recordings at their shows.
Skin it Back
Runtime: 1 hr 12 minFilmed at the Grugahalle in Essen in 1977, just a few days before the recording of their legendary live album "Waiting For Columbus", this concert captures the classic seventies Little Feat line-up led by the late Lowell George at the very peak of their powers.
Classic Albums: The Band
Runtime: 59 minComprised of Rick Danko, Levon Helm, Garth Hudson, Richard Manuel and Robbie Robertson, The Band's self-titled sophomore effort spent 24 weeks in the Billboard Top 40. The album was released at a time when the US album charts were taken over by the psychedelic rock movement, and despite this, the album had the aforementioned chart success and would go on to sell over one million copies. This edition of the "Classic Albums" series focuses on The Band's follow-up to "MUSIC FROM BIG PINK". Featuring classics such as "Up On Cripple Creek", "The Night They Drove Old Dixie Down", and "Rag Mama Rag", the story of the album is told through interviews with surviving members of The Band, fellow musicians Eric Clapton, Don Was, and George Harrison, and vintage footage. The Band is a classic album!
Live at Great Woods
The Allman Brothers Band
Runtime: 1 hr 31 minRecorded in September of 1991, originally for Japanese TV, The Allman Brothers Band’s beloved Live At Great Woods showcases the classic American rock band reaching a new generation of audiences. Original band members Gregg Allman, Dickey Betts, Butch Trucks and Jaimoe were joined by new guitarist Warren Haynes, bassist Allen Woody and percussionist Marc Quiñones in one of the most powerful lineups in the group’s history. This set – recorded before a crowd of nearly 20,000 adoring fans at the Great Woods Center for the Performing Arts in Massachusetts – features a top-notch set of fan favorites, with a fiery acoustic mini-set included for good measure. This release of Live At Great Woods fills a crucial gap in The Allman Brothers Band’s videography: after years of demand, fans can experience the original longform video version of this concert (previously only available on VHS and LaserDisc), with no interruption of the main feature. Finally, fans have nothing standing between them and the top-notch performances of this set.
Live at the Electric Forest Festival Day 3 Part 1
The String Cheese Incident
Runtime: 1 hr 13 minOver the past two decades, The String Cheese Incident has emerged as one of Americas most significant independent bands. Their 17 year history is packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments.
Crosby, Stills & Nash
Runtime: 2 hr 33 minCrosby, Stills, & Nash join forces for their first live performance video in over 2 decades! Filmed during their 2012 tour, CSN 2012 includes many of the trio's classic hits, some new and unreleased songs, and a rare performance of "Suite: Judy Blue Eyes."
Runtime: 1 hr 12 minRecorded in 1994, Bob Dylan - MTV Unplugged is a brilliant, quietly impassioned performance by one of pop music's most significant figures. Fronting his empathetic five-piece band (Bucky Baxter excels on dobro, mandolin, and pedal steel guitar; Bob himself plays frequent "rhythm leads" on his Martin), Dylan performs four of his best-known and potentially most overdone tunes in the 73-minute show; but "All Along the Watchtower," "The Times They Are A-Changin'," "Like a Rolling Stone," and "Knockin' on Heaven's Door" all sound great, with Dylan, as is his wont, re-casting both the arrangements and melodies. Even better is the obscure "John Brown" (written in the early '60s), a driving, biting war protest song of the kind that made him famous, while "Dignity," a lesser-known tune from the '90s, is filled with great lines ("Met Prince Phillip at the home of the blues... said he was abused by dignity"), and "Shooting Star" revisits Oh Mercy, Dylan's best '80s album. Through it all, Dylan says nary a word, although he does smile and shake some hands (even removing his shades) at the end. And as good as it may be, this show is most likely different from every Dylan concert before or since, a sure sign of an artist in no danger of becoming irrelevant.