The Grateful Dead
Born out of the burgeoning West Coast hippie scene in San Francisco's Haight-Ashbury district during the late '60s, and inextricably linked to psychedelic experimentation, the Grateful Dead blended psychedelic folk music and a transformative live experience that grew into the largest, most devoted and longest lived cult following in the history of popular music. Deadhead culture rapidly became more ubiquitous than the music -- the Dead's friendly jams, laid-back tunes and open attitude towards bootlegging inspired a tightly knit community that followed the band around the country and traded tapes of concerts years after they'd been recorded. The Dead's concert performances live forever in the often-altered minds of those who attended show after show, and in thousands of hours of recorded material. The majority of these Dead bootlegs were recorded really well and sound like someone took the time to master and equalize them. Hardcore Deadhead classics like "Jack Straw" re-emphasize why the band's live shows were a musical phenomenon. Those who identified best with the Workingman's Dead and American Beauty LPs will be pleased to know that there is an overwhelming amount of well-record... See More
The Grateful Dead Concert Films
Classic Albums: Anthem To Beauty
The Grateful Dead
Runtime: 60 minThis installment of the Classic Albums series follows the making of two Grateful Dead albums, the fiercely experimental Anthem of the Sun and the understated masterwork American Beauty, which spawned melodic gems like "Sugar Magnolia" and "Ripple." Between the archival scenes and contemporary interviews with band members, the program shows a band making seismic in roads in pop music and five young guys coming to terms with artistry, mortality, and, yes, the pursuit of happiness. There is priceless footage of Neal Cassady driving Ken Kesey's bus and of the Dead, surrounded by martini sipping hipsters, on Playboy After Dark. The best scenes involve band members talking about specific songs (you will never hear Phil Lesh's "Box of Rain" again without thinking of it as a gift to his dying father) or deconstructing a tune by playing each track separately. Intimate and surprisingly cohesive, Anthem to Beauty is a rare glimpse into how the Dead's magic was made.
Dear Jerry: Celebrating the Music of Jerry Garcia
Runtime: 2 hr 34 minThe two and half hour concert film audio recordings feature over 20 once-in-a-lifetime performances honoring Jerry Garcia. Performers include Phil Lesh & Communion, Bob Weir, Bill Kreutzmann's Billy & the Kids, Mickey Hart, Eric Church, Jimmy Cliff, The Disco Biscuits, Peter Frampton, David Grisman, Jorma Kaukonen, Los Lobos, Buddy Miller, Moe., O.A.R., Grace Potter, Allen Toussaint, Trampled By Turtles, Widespread Panic, and Yonder Mountain String Band. Produced by Blackbird Presents blackbirdpresents.com
The Grateful Dead Top Tracks
Live at the Isle of Wight Festival 1970
Runtime: 1 hr 6 minAugust, 1970: With Jim Morrison's ongoing Miami obscenity trial casting an ominous shadow over the band, The Doors flew to England to play the Isle of Wight Festival. Waiting for them at "The Last Great Festival" were over 600,000 fans who had already torn down the barriers, crashed the gates, and enjoyed performances by the world's top acts such as Jimi Hendrix, The Who, Miles Davis and Joni Mitchell. The Doors took the stage at 2 am, playing with the weight of the trial on their backs, and showed fans they still had the magic that had propelled them to the top during the Summer of Love. "We played with a controlled fury and Jim was in fine vocal form," said Doors organist Ray Manzarek. "He sang for all he was worth, but moved nary a muscle. Dionysus had been shackled." Less than a year later, The Doors were no more. Here, for the very first time, is the last Doors concert ever filmed. The Doors: Live at the Isle of Wight.
In Concert: Live at the BBC Radio Theatre
Runtime: 1 hr 16 minSir Van Morrison takes to the stage at The BBC Radio Theatre for an intimate In Concert performance. Belfast born ‘Van the man’ is among popular music's true innovators and arguably one of the most influential vocalists in the history of rock and roll. The Grammy winning Celtic soul troubadour has been fusing R&B, jazz, blues, and Celtic folk throughout his musical career and in this special, he performs a selection of tracks, old and new from his revered back catalogue of work to his new album ‘Keep Me Singing’.
Ladies and Gentlemen
The Rolling Stones
Runtime: 1 hr 22 minThis Legendary Rolling Stones concert film, shot over four nights in Texas during the "Exile on Main Street" tour in 1972, was released in cinemas for limited engagements in 1974 and has remained largely unseen since. Now, restored and remastered, "Ladies and Gentlemen" makes its first authorised appearance on Film. This is one of the finest Rolling Stones concerts ever captured on film and features outstanding performances of classic tracks from the late sixties and early seventies.
Tommy: Live at the Royal Albert Hall
Runtime: 2 hr 3 minOn 1st April 2017, The Who took to the stage at London’s Royal Albert Hall to deliver a blistering performance of their legendary rock opera, Tommy. Written by Pete Townshend almost 50 years ago, the full-length piece had, until then, never been performed live by the band. In a rare treat for fans, The Who decided to perform Tommy for the first time ever in its entirety for their participation in the annual Teenage Cancer Trust benefit shows. These shows are produced every year by Roger Daltrey at the iconic Royal Albert Hall to raise essential funds for the specialist treatment of young people with cancer.
Live from Gatorville
Runtime: 1 hr 56 minTom Petty and the Heartbreakers are responsible for such infectious songs as "American Girl," and "Don't Do Me Like That," "Free Fallin" and some of the most critically acclaimed albums of all time such as, "Damn the Torpedoes," and "Full Moon Fever." Throughout the years, Tom Petty and the Heartbreakers have continued earning critical praise and fan adoration for their trademark brand of straight-ahead, American rock 'n' roll and their refusal to compromise their integrity. Along the way, they have become recognized as one of America's greatest rock bands and were inducted into the Rock 'n' Roll Hall of Fame in 2002, their first year of eligibility.
Classic Albums: Disraeli Gears
Runtime: 49 minCREAM was rock's first true "super group". Combining the extraordinary talents of ERIC CLAPTON, GINGER BAKER and JACK BRUCE, this power trio became the template for many hard rock acts of the seventies. The band remains a huge influence on the genre even to this day. Powered by hits such as "Strange Brew" and "Sunshine of Your Love", Cream's second album, DISRAELI GEARS, moved the band beyond the blues into hard-driving, psychedelic pop. This was the album that not only broke the group in the United States but also established Clapton as an international superstar. This addition of Disraeli Gears to the acclaimed Classic Albums series features brand new interviews with Clapton, Baker and Bruce, along with lyricist Pete Brown, Atlantic Records founder Ahmet Ertegun, John Mayall and Manfred Mann. Also included on this program are acoustic performances, original studio tracks and archival live footage.
Classic Albums: Aja
Runtime: 50 minA vivid portrait of a '70s record that is still as fresh and memorable today as when it was released more than two decades ago. Pioneering pop/jazz band Steely Dan, formed by Donald Fagen and Walter Becker in the early seventies, had already secured five Top 40 albums before the release of Aja in 1977. Aja, however, was to prove to be the biggest selling album of Steely Dan's illustrious career, reaching No. 3 on the Billboard chart and spending a year in the Top 40. Becker and Fagen, renowned for their relentless perfectionism in the recording studio, recall the history of an album that was a year in the making, but rewarded with a Grammy Award and three hit singles. Steely Dan's Aja has proven to be one of the most outstanding jazz-rock albums in the history of popular music and now its story is told in this fascinating documentary.
The Torture Never Stops
Runtime: 1 hr 57 minFrank Zappa's New York Halloween 1981 concerts were filmed Live at The Palladium. This 'thing' entitled "The Torture Never Stops” was created in its entirety by FZ from the original concert production and intended by the Artist as one of 3 Television Specials. This is the longest version of the three - the others, "You Are What You Is" and "Dumb All Over", having actually aired. Halloween was Frank Zappa’s favourite holiday, and New York was the site of Frank Zappa Halloween concerts for years! The billion and a half airings by MTV of the concerts (non-edited) followed on closely from the release of the double album “You Are What You Is” in September of that year on Frank Zappa’s own recently founded and thoroughly independent label, Barking Pumpkin. Much of the set list is drawn from that work. All Frank Zappa shows were unique experiences with Zappa on guitar and baton, leading his band on flights of improvisation and drawing ever more intense performances from them. “The Torture Never Stops” cements Zappa’s reputation as one of the most innovative and challenging composers and performers of the 20th century.
Jimi Plays Berkeley
Runtime: 1 hr 13 minThis special, expanded edition of Jimi Plays Berkeley showcases some of Jimi's finest ever performances filmed over two concerts at the Berkeley Community Theatre on May 30, 1970. The film documented the political unrest and student uprisings in Berkeley juxtaposed against such legendary Hendrix live performances as "Johnny B. Goode," "Star Spangled Banner," "I Don t Live Today" and "Purple Haze."
This deluxe edition also includes:
A new, digitally restored transfer from the original 16mm negative. More than fifteen minutes of newly discovered, previously unseen documentary and performance footage of such classic songs as "Voodoo Child (Slight Return)," "Machine Gun" and "Hear My Train A Comin'" not featured in the original film release.
Live in Holland, 1976
Runtime: 54 minLittle Feat are one of the most influential American bands of the seventies. Founded by Lowell George and Bill Payne in L.A. during 1969; they produced a series of highly original albums over the next decade featuring an eclectic blend of rock 'n' roll, blues, country, folk, soul, and jazz before the death of Lowell George in 1979, which brought the first phase of the band's existence to an end. This film captures the band's performance at the famous Dutch festival Pinkpop on June 7th, 1976 and captures the band's classic line-up at the peak of their powers performing many of their best known tracks.
Live at the Summer Camp Music Festival, Day 2
Runtime: 2 hr 26 minFrom modest beginnings in a Buffalo basement over two decades ago to today’s multifaceted success, the members of moe. have never lost sight of the earnest, elemental goals that they aspired to from their very first show: to deliver honest, heartfelt music and to ensure the audience has a good time. Considerate and conscientious in their actions and decision-making, moe.’s refreshingly unpretentious attitude has won them a devoted legion of dedicated fans (ranging from seasoned concert-goers to eager young newcomers) and has given rise to a thriving cottage industry – a self-contained nation-state in which the band and their audience live as equals, thriving on a reciprocal appreciation rare in today’s increasingly fragmented musical landscape. 2010 marks the twentieth anniversary of moe.’s frontline of Rob Derhak (bass, vocals), Chuck Garvey (guitar, vocals), and Al Schnier (guitar, keyboards, vocals), who continue to perform together with the addition of drummer Vinnie Amico and percussionist and multi-instrumentalist Jim Loughlin. Keeping a consistent lineup intact and productive over two decades is no small feat. moe.’s saga is made all the more remarkable because they have consistently done so on their own terms, as independent artists who actively manage their own affairs while staying well ahead of industry and technological developments, including successfully self-releasing their own music and offering instant on-site digital concert recordings at their shows.from seasoned concert-goers to eager young newcomers) and has given rise to a thriving cottage industry – a self-contained nation-state in which the band and their audience live as equals, thriving on a reciprocal appreciation rare in today’s increasingly fragmented musical landscape. 2010 marks the twentieth anniversary of moe.’s frontline of Rob Derhak (bass, vocals), Chuck Garvey (guitar, vocals), and Al Schnier (guitar, keyboards, vocals), who continue to perform together with the addition of drummer Vinnie Amico and percussionist and multi-instrumentalist Jim Loughlin. Keeping a consistent lineup intact and productive over two decades is no small feat. moe.’s saga is made all the more remarkable because they have consistently done so on their own terms, as independent artists who actively manage their own affairs while staying well ahead of industry and technological developments, including successfully self-releasing their own music and offering instant on-site digital concert recordings at their shows.
Live at The Electric Forest Festival Day 1 Part II
The String Cheese Incident
Runtime: 1 hr 29 minOver the past two decades, The String Cheese Incident has emerged as one of Americas most significant independent bands. Their 17 year history is packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments.
Classic Albums: The Band
Runtime: 59 minComprised of Rick Danko, Levon Helm, Garth Hudson, Richard Manuel and Robbie Robertson, The Band's self-titled sophomore effort spent 24 weeks in the Billboard Top 40. The album was released at a time when the US album charts were taken over by the psychedelic rock movement, and despite this, the album had the aforementioned chart success and would go on to sell over one million copies. This edition of the "Classic Albums" series focuses on The Band's follow-up to "MUSIC FROM BIG PINK". Featuring classics such as "Up On Cripple Creek", "The Night They Drove Old Dixie Down", and "Rag Mama Rag", the story of the album is told through interviews with surviving members of The Band, fellow musicians Eric Clapton, Don Was, and George Harrison, and vintage footage. The Band is a classic album!
Live at Great Woods
The Allman Brothers Band
Runtime: 1 hr 31 minRecorded in September of 1991, originally for Japanese TV, The Allman Brothers Band’s beloved Live At Great Woods showcases the classic American rock band reaching a new generation of audiences. Original band members Gregg Allman, Dickey Betts, Butch Trucks and Jaimoe were joined by new guitarist Warren Haynes, bassist Allen Woody and percussionist Marc Quiñones in one of the most powerful lineups in the group’s history. This set – recorded before a crowd of nearly 20,000 adoring fans at the Great Woods Center for the Performing Arts in Massachusetts – features a top-notch set of fan favorites, with a fiery acoustic mini-set included for good measure. This release of Live At Great Woods fills a crucial gap in The Allman Brothers Band’s videography: after years of demand, fans can experience the original longform video version of this concert (previously only available on VHS and LaserDisc), with no interruption of the main feature. Finally, fans have nothing standing between them and the top-notch performances of this set.
Crosby, Stills & Nash
Runtime: 2 hr 33 minCrosby, Stills, & Nash join forces for their first live performance video in over 2 decades! Filmed during their 2012 tour, CSN 2012 includes many of the trio's classic hits, some new and unreleased songs, and a rare performance of "Suite: Judy Blue Eyes."
Runtime: 1 hr 12 minRecorded in 1994, Bob Dylan - MTV Unplugged is a brilliant, quietly impassioned performance by one of pop music's most significant figures. Fronting his empathetic five-piece band (Bucky Baxter excels on dobro, mandolin, and pedal steel guitar; Bob himself plays frequent "rhythm leads" on his Martin), Dylan performs four of his best-known and potentially most overdone tunes in the 73-minute show; but "All Along the Watchtower," "The Times They Are A-Changin'," "Like a Rolling Stone," and "Knockin' on Heaven's Door" all sound great, with Dylan, as is his wont, re-casting both the arrangements and melodies. Even better is the obscure "John Brown" (written in the early '60s), a driving, biting war protest song of the kind that made him famous, while "Dignity," a lesser-known tune from the '90s, is filled with great lines ("Met Prince Phillip at the home of the blues... said he was abused by dignity"), and "Shooting Star" revisits Oh Mercy, Dylan's best '80s album. Through it all, Dylan says nary a word, although he does smile and shake some hands (even removing his shades) at the end. And as good as it may be, this show is most likely different from every Dylan concert before or since, a sure sign of an artist in no danger of becoming irrelevant.