Supergrass are one of the few bands to survive -- and thrive beyond -- the mid-1990s Brit pop revival. Coming from peaceful Oxford, England, the teenage band hit the ground running, scoring high placements on British charts with their initial singles, which pointed the way for their 1995 debut, I Should Coco. The album revealed the band's knack for channeling the sound and spirit of '70s pop punk of acts like the Buzzcocks, the Undertones and the Jam while remaining connected to the original '60s British Invasion scene. I Should Coco's upbeat energy, unstoppable good spirits and contagious sense of fun stood in stark contrast to the cynically maudlin, generic teen angst alt rock wares being peddled to teenagers by the American post-grunge and rapcore scenes. This was music for sharing with friends and going out and celebrating, not holing up in your room. 1997's In It For the Money found the group taming (though not deleting) the blazing punk tempos of their first phase and further exposing the Beatles/Kinks/Badfinger accents and soaring power pop melodies at the heart of so many of their songs. While this was closer in style to what Oasis was doing at the same time, the fact that ... See More
Supergrass Concert Films
A Home Movie
Runtime: 1 hr 19 minBritpop rockers Supergrass collects 17 of their videos as well as the 80-minute documentary A Home Movie on this film from EMI and Parlophone. With hits from the band's first four albums represented on the disc, the videos cover their early rocket-rise to stardom with such cuts as "Alright" and go all the way through their contagious 2002 hit "Grace." The documentary contains interviews with the band and features home movies from various tours and recording sessions dating back even before the band had properly formed. Filled with the kind of off-the-wall humor and style that has surrounded their work for the first ten years, the film is a must for Supergrass fans and collectors alike.
Runtime: 33 minA significant footnote in rock 'n' roll's chequered history, 'Glange Fever' is the rockumentary to end all rockumentaries. A fascinating and faintly ridiculous film following the adventures the Diamond Hoo Ha Men (aka Gaz & Danny from Supergrass) on their UK live club tour throughout December 2007. An unsettling behind-the-scenes peek into life on the road with the world's finest sequin-suited glange rock duo.
Supergrass Top Tracks
Live at The Metro Theatre
Runtime: 1 hr 30 minJarvis Branson Cocker (born 19 September 1963) is an English musician and former frontman for the band Pulp. Through his work with the band, Cocker became a figurehead of the Britpop movement of the mid-1990s New solo album Further Complications saw Cocker embrace an altogether more muscular sound, whilst retaining his trademark witticisms. Here, he performs at The Metro Theatre, in Sydney, Australia, on December 7, 2009.
Live at Isle of Wight Festival
Runtime: 1 hr 22 minThe English rock band James take over the stage at The Isle of Wight Festivals with attractive performances of their best-known singles including "Come Home," "Sit Down," "She's a Star," "Laid," and many more.
Live at V Festival 2008
Runtime: 23 minDescribed as "classic UK rock delivered with whiskey vocals," the band have been summarised as possessing a sound akin to the genres of alternative rock and "British traditional rock". They are one of the most successful Welsh rock acts. Upon their release of “Pull the Pin”, they became the eighth group to achieve five consecutive UK number one albums (after the Beatles, Led Zeppelin, ABBA, Genesis, Oasis, Blur and U2).
In this concert feature the band is taking over the Download Festival performing all the hits like “Dakota,” “Have A Nice Day,” “Just Looking,” and many more.
Runtime: 1 hr 18 minPrimal Scream's seminal album "Screamadelica" defined a generation. It's mix of rock, dance, dub, gospel and more caught the zeitgeist of the early nineties to perfection and it went on to win the inaugural Mercury Music Prize in 1992 and consistently be named as "Best Album Of The Nineties" and appear in numerous "All Time Best Albums" lists. This show, filmed on November 26th 2010 at London's Olympia, was the first time that Primal Scream had performed the whole album live and it became one of the "must see" gigs of the year. The band was accompanied by a brass section and a gospel choir with back projections specially created for the event. The result was a stunning musical and visual triumph and proved, if it needed to be, that Screamadelica is one of the finest albums ever made and that Primal Scream are one of the truly great live bands.
Love is Here: Live
Runtime: 1 hr 17 minSome would say that Starsailor are Chorley's biggest contribution to modern culture since the opening of the nearby Charnock Richard M6 motorway services in the 1960s. Like the aforementioned favourite resting point for Blackpool day-trippers Love Is Here (Live), will become a solid, long-stay favourite for fans. Recorded in November 2001, one month after the release of their debut album and while they were still being lauded as "the next big thing", the main feature is a live run through of the album. New composition "Some of Us" and the B-side "From a Whisper to a Scream" are also performed, along with versions of Leonard Cohen's "Hallelujah" and Elton John's "Rocket Man". The concert footage and the audio (Dolby 5.1) are of a high quality, and breakthrough tracks "Poor Misguided Fool" and "Alcoholic" sound stunning. The show is hampered, though, by the limited material the guys can draw upon, and Walsh's repetitive melancholic delivery of existing songs. What does become apparent is that after a couple more albums and a little more musical experimentation Starsailor are on course to be live giants.
The Beat is the Law: Fanfare For The Common People
Runtime: 1 hr 31 minGlastonbury Festival, 1995: The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. As last minute replacements, Pulp take to the stage to face 80,000 people. They deliver a set regarded as one of the best in the festival’s history and are catapulted to the forefront of the Britpop movement—an achievement that ten years earlier seemed like an impossible dream. Made with the full cooperation of Pulp, The Beat is the Law brings together original interviews, performances, promos, newly unearthed live footage and home videos to tell the story of Pulp and their contemporaries’ journey from the darkest industrial depths of Sheffield to the pinnacle of pop via the consciousness-raising techno/house of Warp Records. Featuring original interviews with Pulp’s Jarvis Cocker, Russell Senior, Candida Doyle and Nick Banks, plus Richard Hawley (Longpigs), Mark Brydon (Chakk/FON/Moloko), Rob Gordon (FON/Warp), Adi Newton (Clock DVA) and many more!
No Distance Left to Run
Runtime: 1 hr 42 minFilmed throughout the band's 2009 rehearsals and acclaimed summer tour, No Distance Left To Run finds all four members of Blur together for the first time in nine years. With previously unseen archive material alongside new interviews and reportage, the film recounts the highs and lows of a very British band from the late '80s to their headline return at Glastonbury and Hyde Park. The result is a musing on Englishness and identity and a portrait of friendship and resolution.
Made of Stone
The Stone Roses
Runtime: 1 hr 36 minIn 2012, a resurrection no one thought possible took place when legendary band, The Stone Roses reformed after 16 years. With unprecedented access to previously unseen archive footage, MADE OF STONE is a revealing journey through the life of one of the most revered and influential bands in British music history.