Return To Forever
Return To Forever Concert Films
Live at Montreux
Return To Forever
Runtime: 1 hr 49 minReturn To Forever were at the forefront of jazz/rock fusion in the seventies and like their contemporaries Weather Report and Mahavishnu Orchestra were formed by a former Miles Davis sideman, in this case the great Chick Corea. Return To Forever hit their commercial and artistic peak with a string of albums in the mid-seventies featuring the line-up of Chick Corea on keyboards, Stanley Clarke on bass, Al Di Meola on guitar and Lenny White on drums. In 2008 this classic line-up reunited for their first tour in 25 years and proved that their musicianship and the chemistry within the band were as strong as ever. This concert was filmed at Montreux in July 2008 with the bonus tracks being filmed in Clearwater, Florida later the same month.
Return To Forever Top Tracks
Solos: The Jazz Sessions
Runtime: 48 minGuitarist John Abercrombie combines bop and free jazz stylistic elements with electronics utilizing phase shifters, guitar synthesizers and the good old volume pedal. What has kept his playing fresh is his refusal to be chained to these digital devices. As he told Down Beat writer Bill Milkowski, "I try to adjust my playing to the timbre and learn something about how to play that sound, yet at the same time I have to try and force the instrument to play with me a little bit. In other word, I sometimes try to overplay the instrument."
The Torture Never Stops
Runtime: 1 hr 57 minFrank Zappa's New York Halloween 1981 concerts were filmed Live at The Palladium. This 'thing' entitled "The Torture Never Stops” was created in its entirety by FZ from the original concert production and intended by the Artist as one of 3 Television Specials. This is the longest version of the three - the others, "You Are What You Is" and "Dumb All Over", having actually aired. Halloween was Frank Zappa’s favourite holiday, and New York was the site of Frank Zappa Halloween concerts for years! The billion and a half airings by MTV of the concerts (non-edited) followed on closely from the release of the double album “You Are What You Is” in September of that year on Frank Zappa’s own recently founded and thoroughly independent label, Barking Pumpkin. Much of the set list is drawn from that work. All Frank Zappa shows were unique experiences with Zappa on guitar and baton, leading his band on flights of improvisation and drawing ever more intense performances from them. “The Torture Never Stops” cements Zappa’s reputation as one of the most innovative and challenging composers and performers of the 20th century.
Live in Munich
Runtime: 1 hr 2 minFor more than 50 years, trumpeter/bandleader Miles Davis was a major innovator of cool, modal, avant-garde, and fusion jazz styles. This program captures Davis's band: alto saxophonist/flutist Kenny Garrett, Keyboardists Robert Irving III and Adam Holzmann, lead bassist Joseph "Foley" McCreary, and bassist Benjamin Rietveld, percussionist Marilyn Mazur, and drummer Ricky Wellman, live in Munich, Germany on July 10th, 1988. With these musicians' sympathetic and syncopated support, Davis's trademarked Harmon-muted trumpet tones dance and trance over the combo's supple electric swing. Throughout the concert, Davis glides across the stage with the elegance and power of a dancer and a fighter, huddling with his sidemen to play and share a phrase. Interview snippets with Davis feature the trumpeter frankly discussing his other passion, artwork. All told, Miles in Munich shows that the man called "Prince of Darkness" was full of artistic light near the end of his creative life.
Live at Montreux - 1974
Runtime: 51 minFormed by John McLaughlin in 1971, the Mahavishnu Orchestra pioneered the fusion of jazz elements into rock music while still undeniably retaining the power and muscle of a full on rock band. With McLaughlin as the ever-present, the line-up went through various phases and these two concerts from Montreux showcase the band at distinctively different times of their career, with the seventies show featuring later stars Jean-Luc Ponty and Michael Walden and the eighties concert featuring saxophone maestro Bill Evans.
Live At Montreux 1986/1993
Al di Meola
Runtime: 46 minAl Di Meola was one of the dominant figures in jazz rock fusion in the seventies and eighties, first with Return To Forever, which also featured Chick Corea and Stanley Clarke, and later as a solo artist. His albums have dominated the US jazz charts and he has frequently earned top honors in Guitar Player magazine’s polls. From the late 1980s onwards he has moved away from jazz fusion to concentrate primarily on acoustic guitar, with an increasing Latin influence. This concert by him at Montreux Jazz Festival 1986 is a solo performance. For 45 minutes long Al Di Meola manages to keep the attention of the audience, not only with a good sense of humor but certainly also with a great variety of style and dynamics. Especially for guitarists this concert is a pleasure to watch, since it contains many close-up shots of Al Di Meola showing his amazing technique.
New Morning: The Paris Concert
Runtime: 1 hr 56 minJohn is considered one of the most important and influential jazz guitarists and composers since he arrived on the scene in the mid '70s. A masterful improviser at the peak of his creative art, Scofield revisits compositions & interpretations richly combining post-bop, funk-edged jazz, and R&B influences. This brilliant performance by John Scofield (backed by master drummer Bill Stewart, bassist Ben Street and pianist Michael Eckroth) is a true gem.
We Live Here
Pat Metheny Group
Runtime: 1 hr 50 minSome six years after their previous studio album, the Pat Metheny Group regrouped in 1995 to release the album We Live Here. This was to be the first of a set of three albums that the band refer to as the triptych, the others being Quartet (1996) and Imaginary Day (1997). Following the release of the album, the Pat Metheny Group embarked on a world tour during which this concert was filmed in Japan. Many of the tracks from the We Live Here album are included along with others from their various eighties albums. There are short interview segments with the band members inserted between some of the songs which give an insight into the creation of the album and life on the tour.