Radiohead
One of the 1990s' greatest success stories, Radiohead came to prominence largely on the success of their distorted, ingratiating single "Creep." Drolly repeating "I'm a creep / I'm a loser" in the pounding wake of arena rock guitars wasn't going to win them any artistic grants, but those lyrics and bouts with piercing feedback would not be soon forgotten. It wasn't until The Bends (1995) that Radiohead transcended the formula, crafting the patient, heart-wrenching "Fake Plastic Trees" and the magnetic, sunshine-driven "Black Star." Thom Yorke's signature falsetto began to operate in a more deeply emotional capacity at this point. Finally producing to the caliber of their songwriting, Radiohead's OK Computer demonstrated a staggering attention to detail, probably ranking as one of the greatest commercial artistic successes of the '90s. Rarely does a record offer masterpieces in varying moods. From the thunderously suspenseful "Airbag" to the moody chime of the blustery "Let Down," Radiohead emerged victorious. The alt-rock superstardom and critical gushing that followed pushed them into their darkest and most creative space yet, and they delivered the electronic-tinged Kid A in 2000... See More
Radiohead Concert Films
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Meeting People is Easy: A Film by Grant Lee about Radiohead
Radiohead
Year: 1997
Runtime: 1 hr 34 min
MEETING PEOPLE IS EASY presents a visual diary of Radiohead's 1997-98 world tour in support of their acclaimed album OK COMPUTER. The film includes behind-the-scenes and concert footage of the innovative band in Barcelona, Paris, New York, and Tokyo. Interviews with band members Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien, and Phil Selway, along with director Grant Gee's artfully probing camera, provide candid, revealing insights into the difficulties of dealing with the unwelcome label of "rock star." This often melancholy documentary features clips of songs such as "Lucky," "Airbag," "A Reminder," "Paranoid Android," "Street Spirit," and "Electioneering."
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The Astoria London Live
Radiohead
Year: 1993
Runtime: 1 hr 7 min
In this 1994 concert performance from English alternative rock superstars Radiohead, the band plays a seventeen-song set that includes such hits as "Creep", "Fake Plastic Trees", and "Pop is Dead" before a live audience at London's famed Astoria.
Radiohead Top Tracks
Related Artists
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The Video
Rage Against The Machine
Year: 1997
Runtime: 1 hr 24 min
Rage Against the Machine released this self-titled film in 1997, collecting live concert footage and music videos of some of their best material. The band starts with a passionate rendition of Bruce Springsteen's "Ghost of Tom Joad" live from the Irvine Meadows in Irvine, CA. The well-filmed performance captures Rage near the top of their game. Seeing Zack de la Rocha interact with a large crowd and the band work a tight, incendiary groove is required to understand the appeal of the now-defunct political rock band. This is underscored by "People of the Sun" and four other songs live from the Rock Am Ring Festival in Germany, where Rage plays before what must be 100,000 people. The second half of the film is filled with six music videos, including "Freedom" and "Memory of the Dead (Land and Liberty)." -
Live at The Cutting Room
Alt-J
Year: 2012
Runtime: 22 min
There is something truly unique about the music that pours out of the four lads who comprise the experimental, indie outfit, Alt-J. It has a sparkling, melodious quality in the way the guitars fizzle in a bed of digital mist. But there are odd chanting harmonies, crunchy riffs that'll snap your teeth, and, most notably, a disjointed, percussive approach that's mightier than all. It's all helped to stew a bit of a phenomenon on the band's side of the Atlantic. Why just today the band snatched themselves a nomination for the prestigious Mercury Prize for their debut, An Awesome Wave (which is just about the best way to describe what lies within). Here in the US, the band is currently spreading the gospel one city at a time. Recently, that meant a quick stop at The Cutting Room Studios in NYC for a live-to-air session with our friends at KEXP Seattle. In its' aftermath, we're obviously converted...and we don't think you stand a chance either. -
Classic Album: Nevermind
Nirvana
Year: 2004
Runtime: 49 min
"Nevermind" was the second album from the Seattle trio and the first on the DGC label (it's predecessor "Bleach" was released on the Sub Pop label). It was produced by Butch Vig (also the drummer for the band Garbage) and mixed by Andy Wallace. Nirvana's surviving members Krist Novoselic (bass) and Dave Grohl (drums) talk candidly about their past, the recording of Nevermind and about Kurt Cobain and the legacy that he has left behind. Also featured are exclusive interviews with the likes of Garry Gersh (A&R DGC Records), Butch Vig, Jonathan Ponneman and Nils Bernstein (Sub Pop Records), Thurston Moore (Sonic Youth), Jack Endino, and many more. -
Classic Album: Screamadelica
Primal Scream
Year: 2011
Runtime: 58 min
This Classic Albums series tells the story behind the making of this legendary album. There are contributions from all the band members, main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved in the creation of this masterpiece.
Primal Scream's seminal album Screamadelica was released in 1991, and synthesized the band's rock 'n' roll roots with the dance culture of that time; for many, the album's sound and imagery came to be regarded as quintessential symbols of the acid house era, perfectly catching the spirit and mood of the early 90s.
Using rare archive footage and special performances, this film tells the story of Screamadelica and its hit singles and dance anthems Loaded, Movin' On Up, Come Together and Don't Fight It, Feel It. From the formation of the band in Glasgow to winning the first-ever Mercury prize, the band members explain the record's inception with insights from main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved with or inspired by this joyful record. -
Guitar Center Sessions
Cake
Year: 2011
Runtime: 57 min
An intimate concert and interview with alternative rock, CAKE. Performances include "Short Skirt/Long Jacket", "Mustache Man", "Sick of You", "Long Time", "Bound Away" and "Love Your Madly". With host, Nic Harcourt. -
Live at the O2 Arena
Franz Ferdinand
Year: 2009
Runtime: 53 min
When they released their self-titled debut album in the UK in January 2004, Franz Ferdinand were hailed as the first great new band of the year.
Unbelievable hype swirled around the new Scottish four-piece as they burst into the charts with their unmistakable debut. Their debut single garnered many pleasing reviews and made the band one of the most talked about of the year. With heavy-guitars and loveable beats, this is essentially post-pop melodic fun with hints of rock from the punk scene - all mashed together in a rebellious, yet fun-loving, way. -
One Mile High...Live
Garbage
Year: 2013
Runtime: 1 hr 33 min
After a five year break, 2012 saw Garbage back in the spotlight with a new studio album "Not Your Kind Of People" followed by their first world tour in seven years. Filmed on this tour at the Ogden Theatre in Denver, Colorado on October 6th, "One Mile High...Live" is the first ever film of a full Garbage concert. Charismatic singer Shirley Manson leads from the front propelled by the twin guitars of Steve Marker and Duke Erikson and the powerhouse drumming of Butch Vig with Eric Avery providing bass guitar for the live shows. The band mix highlights from the new album with classic tracks from across their career to produce the ultimate Garbage live experience. -
Live at Soundstage
Wilco
Year: 2003
Runtime: 53 min
Chicago-based Wilco take the stage with their blend of idiosyncratic pop sounds from their most recent album Yankee Hotel Foxtrot. Highlights include "War on War" and "Jesus, Etc." The critically acclaimed group reveals not only inimitable musicianship, but also a wide range of music with hints of country, rock, punk and, perhaps most of all, experimentalism. -
In Session: 2008
Snow Patrol
Year: 2008
Runtime: 12 min
Snow Patrol performs live at the intimate In Session in 2008. The Session, features performances of Take Back The City,” The Shutters, Chasing Cars.” The Session concludes with an interview with Snow Patrol. -
Demon Days
Gorillaz
Year: 2004
Runtime: 1 hr 10 min
The Gorillaz have only ever performed live 7 times, once at the 2006 Grammys with Madonna, five times last year at the Manchester Opera House and once in 2001 at The Forum in London. This concert film is pieced together from their five show stint at the Manchester Opera House last year. The tracklisting is essentially their latest Grammy winning album Demon Days, with `Hongkongaton', a B-side to their single `Dirty Harry' and `Latin Simone (Que Pasa Contigo)' from their debut self-titled album thrown on the end. -
Live at The Enmore Theatre
Interpol
Year: 2011
Runtime: 1 hr 19 min
Interpol is an American indie rock band formed in 1997 in New York City. Here they perform at The Enmore Theatre, in Sydney, Australia, on January 4, 2011. -
We Come In Pieces
Placebo
Year: 2010
Runtime: 1 hr 24 min
This concert was filmed at London’s Brixton Academy in September 2010 at the culmination of the world tour in support of their “Battle For The Sun” album released the previous year. The tour had been an unqualified success with the band playing to over 2.5 million fans in all parts of the world. The concert film is a visual feast enhancing the live footage with skillful editing and selective digital effects to create a stunning film that really captures the essence of a Placebo live performance. -
Live at Hyde Park
Blur
Year: 2009
Runtime: 2 hr 5 min
Blur: Live At Hyde Park is the definitive live Blur concert film. Directed by Giorgio Testi, the film was shot on the 2nd of July 2009 in front of a crowd of 55,000 fans in London's Hyde Park. The gigs were the climax of their hugely successful 2009 comeback tour and saw the band play a 25-song, career spanning set to a rapturous reception from fans. Shot using 18 cameras and featuring stunning HD cinematography, the film lovingly documents Blur's incredible Hyde Park performances. -
Live at Rome Olympic Stadium
Muse
Year: 2013
Runtime: 1 hr 57 min
This second live album from the English neo-prog superstars sees them bring their preposterously epic, stadium-sized live show to their Italian fans. The accompanying concert film, the first ever captured in 4K "ultra-high definition," presents the show in all its glory, featuring pyrotechnics, video walls, and acrobats as the band live out their rock god dreams, vamping it up for the cameras for all they're worth as they blast through hit after hit. -
Live at Earl’s Court: The Reflektor Tapes
Arcade Fire
Year: 2018
Runtime: 1 hr 51 min
Arcade Fire released their live film recording "Live at Earls Court," in 2015. It was recorded during the band’s shows at Earls Court in London, during the Reflektor Tour in 2014 and it features some of the most fan-appreciated tracks. -
R.E.M. By MTV
R.E.M.
Year: 2015
Runtime: 1 hr 47 min
On April 5, 1980 four college pals-Bill Berry, Peter Buck, Mike Mills and Michael Stipe-took the stage together for the first time to play at a friend's birthday party. The band they started that night stayed together for thirty years and changed the shape of rock music. R.E.M. By MTV tells R.E.M.'s story in their own words, through three decades of performances and interviews R.E.M gave to MTV channels in the USA and around the world. Featuring revealing, never-before-seen footage, R.E.M. By MTV tells the amazing story of a band that did it their own way, and changed how a generation of musicians after them did it, too. -
Live at Soundstage
Sonic Youth
Year: 2003
Runtime: 40 min
Quintessential alternative rockers, Sonic Youth, celebrate free-form experimentalism while reinforcing their performance-art driven tradition in this Soundstage performance. The band, which settles just outside the realm of definition, delivers a part rock, part free-form noise, part avant-garde punk performance which features a new song "Sympathy for the Strawberry." -
Live 2003
Coldplay
Year: 2003
Runtime: 1 hr 32 min
Riding high on the phenomenal success of A Rush of Blood to the Head, Coldplay is in peak form on Coldplay Live 2003. This concert was filmed (on Super-16mm film) and recorded in Sydney's Horden Pavilion on July 21 and 22, 2003, during an exhaustive year-long world tour, and the medium-sized arena provides a fitting stage for the London-based rock quartet, not so grand as to overwhelm the music, but large enough to indicate their large and loyal following, which includes enthusiastic fans of either gender. Especially when played in DTS 5.1 surround, this 90-minute concert is richer, thicker, and (of course) louder than Coldplay's studio recordings, lending a wall-of-sound expansiveness to the band's signature sound, which draws from such diverse influences as Genesis, Pink Floyd, The Verve, U2, and their own unique sonic landscape. "Politik" gets the gig off to a rousing start, and other impressive highlights include "Daylight," "Yellow," the as-yet-unreleased new song "Moses," and the popular hits "In My Place," "Clocks," and "The Scientist." And while the concert visuals are slick and professional, this film--the latter containing a truncated 70-minute version of the same performance--are best appreciated for their pristine audio quality. -
HOOTENANNY 2008
Weezer
Year: 2017
Runtime: 33 min
To support the release of The Red Album, Weezer held a relatively small hootenanny tour, in which they traveled across the country playing songs along with fans in acoustic jam sessions. -
Biophillia Live
Björk
Year: 2009
Runtime: 1 hr 36 min
‘Biophilia Live’ is a concert film directed by Peter Strickland and Nick Fenton and produced by Jacqui Edenbrow that captures the human element of Björk’s multi-disciplinary multimedia project: Biophilia. recorded live at Björk’s show at London’s Alexandra Palace in 2013, the film features Björk and her band performing every song on ‘Biophilia’ and more using a broad variety of instruments – some digital, some traditional, and some completely unclassifiable. the film has already been hailed as “a captivating record of an artist in full command of her idiosyncratic powers” (variety) and “an imaginative stand-alone artwork” (hollywood reporter) and is a vital piece of the grand mosaic that is ‘biophilia.’
