Although not a contender for "British Band of the Millennium" -- let Oasis and Blur argue over that mantle -- Pulp is easily one of the most diverse and dedicated bands on that side of the pond to (struggle to) make it big. Led by charismatic and chameleon-like Singer-Songwriter Jarvis Cocker, Pulp have undergone multifarious changes in their twenty-one-year career, but there have been some consistent points along the way. On any given album, you'll find Cocker singing in his lovely, Bowie-based baritone behind which a piano, synths, and mid-tempo bass, guitars and drums create a pretty, sad and subtle ballad. It's hardly indicative of all their material, though -- on the song "Countdown," for instance, electronic drums and synths create Alt-Dance music that aligns the band more with Depeche Mode than with other rock groups. And then there are the finely-crafted, well-written Glam rockers: no holds are barred, and every instrument plus the kitchen sink writhes in wonderful musical bombast, almost an anthem with strong hooks and melodies and Cocker's voice rising and falling, emoting and sneering, ironic and vulnerable, leading the fray to pop heaven. Pulp may not be challenging Oas... See More
Pulp Concert Films
The Beat is the Law: Fanfare For The Common People
Runtime: 1 hr 31 minGlastonbury Festival, 1995: The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. As last minute replacements, Pulp take to the stage to face 80,000 people. They deliver a set regarded as one of the best in the festival’s history and are catapulted to the forefront of the Britpop movement—an achievement that ten years earlier seemed like an impossible dream. Made with the full cooperation of Pulp, The Beat is the Law brings together original interviews, performances, promos, newly unearthed live footage and home videos to tell the story of Pulp and their contemporaries’ journey from the darkest industrial depths of Sheffield to the pinnacle of pop via the consciousness-raising techno/house of Warp Records. Featuring original interviews with Pulp’s Jarvis Cocker, Russell Senior, Candida Doyle and Nick Banks, plus Richard Hawley (Longpigs), Mark Brydon (Chakk/FON/Moloko), Rob Gordon (FON/Warp), Adi Newton (Clock DVA) and many more!
Pulp Top Tracks
Love is Here: Live
Runtime: 1 hr 17 minSome would say that Starsailor are Chorley's biggest contribution to modern culture since the opening of the nearby Charnock Richard M6 motorway services in the 1960s. Like the aforementioned favourite resting point for Blackpool day-trippers Love Is Here (Live), will become a solid, long-stay favourite for fans. Recorded in November 2001, one month after the release of their debut album and while they were still being lauded as "the next big thing", the main feature is a live run through of the album. New composition "Some of Us" and the B-side "From a Whisper to a Scream" are also performed, along with versions of Leonard Cohen's "Hallelujah" and Elton John's "Rocket Man". The concert footage and the audio (Dolby 5.1) are of a high quality, and breakthrough tracks "Poor Misguided Fool" and "Alcoholic" sound stunning. The show is hampered, though, by the limited material the guys can draw upon, and Walsh's repetitive melancholic delivery of existing songs. What does become apparent is that after a couple more albums and a little more musical experimentation Starsailor are on course to be live giants.
Call The Cops
Runtime: 56 minHappy Mondays were, along with the Stone Roses, the defining band of the Madchester scene in the late eighties and early nineties. Their music combined rock and house elements in a unique fusion which, coupled with Shaun Ryders biting lyrics, became the soundtrack of the era. This program captures the band on their first American tour in 1990 in support of their bestselling album Pills n Thrills And Bellyaches. It combines brilliant full performance footage from The Sound Factory in New York with behind the scenes material to give a really intimate portrait of the band at their peak. There are also cameo appearances from Keith Allen and the late Tony Wilson, founder of Factory Records.
Live at Isle of Wight Festival
Runtime: 1 hr 22 minThe English rock band James take over the stage at The Isle of Wight Festivals with attractive performances of their best-known singles including "Come Home," "Sit Down," "She's a Star," "Laid," and many more.
Made of Stone
The Stone Roses
Runtime: 1 hr 36 minIn 2012, a resurrection no one thought possible took place when legendary band, The Stone Roses reformed after 16 years. With unprecedented access to previously unseen archive footage, MADE OF STONE is a revealing journey through the life of one of the most revered and influential bands in British music history.
Morrissey 25 Live
Runtime: 1 hr 32 minMORRISSEY 25: LIVE is a legacy concert film marking 25 years of the solo career of one of the world’s most iconic and enigmatic performers. Shot during Morrissey’s most intimate gig in decades at the Hollywood High School in Los Angeles on 2 March 2013, this now legendary concert includes many classic tracks from the artist’s prolific repertoire and is an unmissable cinema event for fans worldwide.
Runtime: 33 minA significant footnote in rock 'n' roll's chequered history, 'Glange Fever' is the rockumentary to end all rockumentaries. A fascinating and faintly ridiculous film following the adventures the Diamond Hoo Ha Men (aka Gaz & Danny from Supergrass) on their UK live club tour throughout December 2007. An unsettling behind-the-scenes peek into life on the road with the world's finest sequin-suited glange rock duo.
Live at The Metro Theatre
Runtime: 1 hr 30 minJarvis Branson Cocker (born 19 September 1963) is an English musician and former frontman for the band Pulp. Through his work with the band, Cocker became a figurehead of the Britpop movement of the mid-1990s New solo album Further Complications saw Cocker embrace an altogether more muscular sound, whilst retaining his trademark witticisms. Here, he performs at The Metro Theatre, in Sydney, Australia, on December 7, 2009.
No Distance Left to Run
Runtime: 1 hr 42 minFilmed throughout the band's 2009 rehearsals and acclaimed summer tour, No Distance Left To Run finds all four members of Blur together for the first time in nine years. With previously unseen archive material alongside new interviews and reportage, the film recounts the highs and lows of a very British band from the late '80s to their headline return at Glastonbury and Hyde Park. The result is a musing on Englishness and identity and a portrait of friendship and resolution.
Live in Sydney
Runtime: 1 hr 23 minManchester is a city of mavericks and hooligan poets, individuals making their own mad mash up music, Ian Brown is the king monkey of this clan. He got the charisma and he got the talent to pull these unlikely combinations off. The band was broken but Brown kept his edge and his king monkey cool- not even a spell inside Strangeways affected that swagger. He seems to know no fear. Whilst every British band went off and copied the Roses he set of in the opposite direction and invented his own multi cultural polyglot mix of music that has a cutting edge cool to it.
Runtime: 1 hr 18 minPrimal Scream's seminal album "Screamadelica" defined a generation. It's mix of rock, dance, dub, gospel and more caught the zeitgeist of the early nineties to perfection and it went on to win the inaugural Mercury Music Prize in 1992 and consistently be named as "Best Album Of The Nineties" and appear in numerous "All Time Best Albums" lists. This show, filmed on November 26th 2010 at London's Olympia, was the first time that Primal Scream had performed the whole album live and it became one of the "must see" gigs of the year. The band was accompanied by a brass section and a gospel choir with back projections specially created for the event. The result was a stunning musical and visual triumph and proved, if it needed to be, that Screamadelica is one of the finest albums ever made and that Primal Scream are one of the truly great live bands.