Like a musical version of "Six Degrees of Kevin Bacon," Scotland's Primal Scream have made a career of connecting the musical dots. Beginning in the mid-1980s as a Byrds-influenced Folk Pop group, they recorded a handful of singles and an album of well-crafted tunes that endeared them to the indie scene. They then moved on to embrace a tough blues swagger derived from the Rolling Stones and the Black Crowes until, like many English youth, the Scream were galvanized by the cultural earthquake that was Acid House. Their brilliant 1991 album Screamadelica is an absolute landmark, a seamless fusion of blissed-out House and swooning Pop created with the help of producer Andrew Weatherall. It's difficult to overestimate the impact of this album. Warmly embraced by both baggy-panted ravers and indie purists, it was many people's first exposure to electronic dance music. Primal Scream have continued to investigate the intersection of dance culture and Indie Rock, drawing on the worlds of House, Techno, big beat and Dub in their search for a more perfect groove.
Primal Scream Concert Films
Classic Albums: Screamadelica
Runtime: 58 minThis Classic Albums series tells the story behind the making of this legendary album. There are contributions from all the band members, main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved in the creation of this masterpiece.
Primal Scream's seminal album Screamadelica was released in 1991, and synthesized the band's rock 'n' roll roots with the dance culture of that time; for many, the album's sound and imagery came to be regarded as quintessential symbols of the acid house era, perfectly catching the spirit and mood of the early 90s.
Using rare archive footage and special performances, this film tells the story of Screamadelica and its hit singles and dance anthems Loaded, Movin' On Up, Come Together and Don't Fight It, Feel It. From the formation of the band in Glasgow to winning the first-ever Mercury prize, the band members explain the record's inception with insights from main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved with or inspired by this joyful record.
Runtime: 1 hr 18 minPrimal Scream's seminal album "Screamadelica" defined a generation. It's mix of rock, dance, dub, gospel and more caught the zeitgeist of the early nineties to perfection and it went on to win the inaugural Mercury Music Prize in 1992 and consistently be named as "Best Album Of The Nineties" and appear in numerous "All Time Best Albums" lists. This show, filmed on November 26th 2010 at London's Olympia, was the first time that Primal Scream had performed the whole album live and it became one of the "must see" gigs of the year. The band was accompanied by a brass section and a gospel choir with back projections specially created for the event. The result was a stunning musical and visual triumph and proved, if it needed to be, that Screamadelica is one of the finest albums ever made and that Primal Scream are one of the truly great live bands.
Primal Scream Top Tracks
Morrissey 25 Live
Runtime: 1 hr 32 minMORRISSEY 25: LIVE is a legacy concert film marking 25 years of the solo career of one of the world’s most iconic and enigmatic performers. Shot during Morrissey’s most intimate gig in decades at the Hollywood High School in Los Angeles on 2 March 2013, this now legendary concert includes many classic tracks from the artist’s prolific repertoire and is an unmissable cinema event for fans worldwide.
Live at Isle of Wight Festival
Runtime: 1 hr 22 minThe English rock band James take over the stage at The Isle of Wight Festivals with attractive performances of their best-known singles including "Come Home," "Sit Down," "She's a Star," "Laid," and many more.
Runtime: 1 hr 6 minThe English band New Order, born from the ashes of Joy Division, is in concert at the club Manhattan Club of Leuven. The RTBF cameras are filming the event for the program "Rox Box". At the time of the recall, Bernard Sumner, Peter Hook, Stephen Morris and Gillian Gilbert interpret the cultured "Blue Monday", dance anthem of all the revelers of the time.
Live at The Metro Theatre
Runtime: 1 hr 30 minJarvis Branson Cocker (born 19 September 1963) is an English musician and former frontman for the band Pulp. Through his work with the band, Cocker became a figurehead of the Britpop movement of the mid-1990s New solo album Further Complications saw Cocker embrace an altogether more muscular sound, whilst retaining his trademark witticisms. Here, he performs at The Metro Theatre, in Sydney, Australia, on December 7, 2009.
Acoustic - Live in Newport
Runtime: 56 minThe Pixies are one of the most influential American acts of all time. Initially spanning the late eighties and early nineties they created the blueprint for alternative rock that would be followed and embellished upon by everyone from grunge to Britpop. After 10 years apart the Pixies reformed in 2004. This film features their first ever all acoustic performance filmed at the famous Newport Folk Festival and is a companion to the simultaneously released Club Date: Live At The Paradise Club, Boston.
Runtime: 33 minA significant footnote in rock 'n' roll's chequered history, 'Glange Fever' is the rockumentary to end all rockumentaries. A fascinating and faintly ridiculous film following the adventures the Diamond Hoo Ha Men (aka Gaz & Danny from Supergrass) on their UK live club tour throughout December 2007. An unsettling behind-the-scenes peek into life on the road with the world's finest sequin-suited glange rock duo.
Call The Cops
Runtime: 56 minHappy Mondays were, along with the Stone Roses, the defining band of the Madchester scene in the late eighties and early nineties. Their music combined rock and house elements in a unique fusion which, coupled with Shaun Ryders biting lyrics, became the soundtrack of the era. This program captures the band on their first American tour in 1990 in support of their bestselling album Pills n Thrills And Bellyaches. It combines brilliant full performance footage from The Sound Factory in New York with behind the scenes material to give a really intimate portrait of the band at their peak. There are also cameo appearances from Keith Allen and the late Tony Wilson, founder of Factory Records.
The Beat is the Law: Fanfare For The Common People
Runtime: 1 hr 31 minGlastonbury Festival, 1995: The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. As last minute replacements, Pulp take to the stage to face 80,000 people. They deliver a set regarded as one of the best in the festival’s history and are catapulted to the forefront of the Britpop movement—an achievement that ten years earlier seemed like an impossible dream. Made with the full cooperation of Pulp, The Beat is the Law brings together original interviews, performances, promos, newly unearthed live footage and home videos to tell the story of Pulp and their contemporaries’ journey from the darkest industrial depths of Sheffield to the pinnacle of pop via the consciousness-raising techno/house of Warp Records. Featuring original interviews with Pulp’s Jarvis Cocker, Russell Senior, Candida Doyle and Nick Banks, plus Richard Hawley (Longpigs), Mark Brydon (Chakk/FON/Moloko), Rob Gordon (FON/Warp), Adi Newton (Clock DVA) and many more!
Live at The Enmore Theatre
The Dandy Warhols
Runtime: 1 hr 56 minFormed in Portland, Oregon by Courtney Taylor-Taylor (vocals, guitar), Zia McCabe (keyboard), Peter Holmström (guitar), and Eric Hedford (drums). When Hedford left in 1998, Taylor-Taylor’s cousin Brent De Boer replaced him as drummer. The band’s name is a play on the name of pop artist Andy Warhol. Here they perform at The Enmore Theatre, in Sydney, Australia, on October 31st, 2008.