Paul McCartney and Wings
Paul McCartney will forever live in the shadow of the Beatles -- every rock band lives in their shadow -- yet he has still managed to amass a solid body of work over the years. His 1970 self-titled debut has all the scrappy charm he originally envisioned for Let It Be; its follow-up, Ram, matches its pastoral feel with orchestral grandeur, and the frothy masterpiece Band on the Run is the mirror image of Lennon's confessional masterpiece Plastic Ono Band, both of which are definitive '70s albums. McCartney's solo work displays strong melodies and craftsmanship, but most of his lyrics can't match the sharp point of view he had on "Eleanor Rigby" or "Lady Madonna." That said, songs such as "Maybe I'm Amazed," "Dear Friend," and "Too Many People" are strikingly autobiographical, showing the confusion, anger and isolation he felt after the breakup of the Beatles. Other cuts, such as the bizarro No. 1 hit "Uncle Albert/Admiral Hasley" and the ace James Bond theme "Live and Let Die," display his decidedly experimental interest in playing around with song form and studio sound. What's amazing is that he has often found as much popular success with his pr... See More
Paul McCartney and Wings Concert Films
Paul McCartney and Wings
Runtime: 2 hr 10 minIn 1975 and 1976 Paul McCartney and Wings undertook the epic Wings over the World tour, the largest scale tour they would ever undertake as a band. From this tour came both the legendary "Wings over America" triple live album and the concert film "Rockshow". Although filmed on this tour at the enormous Kingdome in Seattle, "Rockshow", originally a cut down version of the concert, was not premiered until November 1980 in New York and April 1981 in London. This is Paul McCartney and Wings live on stage in a concert that is destined to live forever!
The Bruce McMouse Show
Paul McCartney and Wings
Runtime: 53 minNever-before-seen, The Bruce McMouse Show is a concert film with a difference. Paul McCartney opens with the story of how the band came to meet the inimitable impresario Bruce McMouse. Featuring the original Wings line up, live concert footage from Wings’ 1972 European tour is interspersed with animated scenes, introducing a family of mice living under the stage.
Paul McCartney and Wings Top Tracks
Look Through Any Window (Part 2)
Runtime: 41 minThe Hollies were one of the most successful British groups of the sixties and early seventies and have continued to perform up to the present day. Look Through Any Window tells the story of their peak years from 1963 to 1975 when the band clocked up 27 UK Top 40 singles, 17 of which were Top 10s. They were also part of the British Invasion led by the Beatles that stormed the US charts in the sixties and scored hit singles in many other countries around the world.
The Man Who Stole the World
Runtime: 59 minCombining footage from interviews with the late great David Bowie and contributions from those who knew him personally, this documentary celebrates the illustrious life of one of the greatest artists to ever grace the stage.
Classic Albums: Damn The Torpedoes
Runtime: 56 minThis film tells the story behind the creation of this great rock 'n' roll album and the dramatic transformation in the band's career that took place following its release. Through interviews, new and archive performances and analysis we discover how Tom Petty, Mike Campbell, Benmont Tench, Ron Blair and Stan Lynch created their songs and sounds with the help of Co-Producer Jimmy Iovine and Engineer Shelly Yakus.
Live in Dublin
Runtime: 2 hr 9 minRecorded over three nights at The Point Theatre in 2006, Live In Dublin features Bruce Springsteen and The Sessions Band tackling deep cuts from Springsteen's catalog and exciting folk covers in a raw, stripped-down style.
The Last Ship Live at the Public Theater
Runtime: 1 hr 22 minIn an intimate evening of music and storytelling filmed on Sting’s birthday during a run of benefit concerts at The Public Theater in New York City, “The Last Ship” features Sting joined by 14 musicians performing original songs from his critically acclaimed album and Broadway musical of the same name. Inspired by his childhood experiences, “The Last Ship,” is set in the seafaring community of Wallsend in the North East of England where Sting was born and raised and marks his Broadway debut as a composer. Against a backdrop of evocative visual projections, this captivating live performance takes us on a journey of love, loss, redemption, and self-discovery, offering an inside look at the story behind “The Last Ship.”
Detour Live At Liverpool Philharmonic Hall
Runtime: 1 hr 46 minElvis Costello brings his solo show Detour to the Liverpool Philharmonic Hall. Combining classic songs performed with guitar or at the piano with reminiscences of his family, life and career, it is by turns touching, humorous, thoughtful and uplifting. The set features recent songs such as “Church Underground” and “Jimmie Standing In The Rain” alongside much loved tracks from across his career including “Watching The Detectives, ” “A Good Year For The Roses, ” “Accidents Will Happen, ” “Shipbuilding” and “I Can’t Stand Up For Falling Down” all given a new twist in their solo renditions. The show also features guest appearances by sister act Larkin Poe.
The Concert In Central Park
Simon & Garfunkel
Runtime: 1 hr 27 minWhat started as a suggestion for Paul Simon to play a concert in New York's Central Park blossomed, on September 19, 1981, as a full-blown Simon and Garfunkel reunion after an 11-year hiatus, and now proves a priceless snapshot of two of America's greatest folk-rock performers. (It's also the rightful bookend to Simon and Garfunkel's acoustic Live from New York City, 1967.)
Performed with a who's-who of East Coast session aces before a record-setting crowd of half a million fans, The Concert in Central Park finds its stars just shy of their 40th birthdays and very much in their primes, their voices sweet and pure and their playing relaxed, perfectly in tune and in synch. The show features a mix of S&G and solo Simon tunes, including all the songs that appear on the CD, with the addition of a reprise of "Late in the Evening" and the first live performance of Simon's "The Late Great Johnny Ace." This is classic material from start to finish, 87 minutes of unmitigated beauty.
Live At The Rainbow '74
Runtime: 1 hr 20 min1974 was a year of high achievement for Queen. They had their first two hit singles, 'Seven Seas Of Rhye' and 'Killer Queen,' released two albums, 'Queen II' and 'Sheer Heart Attack,' and completed major tours across the UK, America and Europe. In the UK, they performed three sold-out shows at the legendary Rainbow Theatre in London's Finsbury Park, one in March on the 'Queen II' tour and two in November following the release of 'Sheer Heart Attack'.
Runtime: 1 hr 49 minFilmed in Buenos Aires during the record-breaking 30th Anniversary World Tour, 'Certifiable' is the culmination of the phenomenal reunion of The Police. With a set list that reads like the ultimate Police greatest hits show, the legendary trio perform all their classic tracks including 'Roxanne', 'Every Breath You Take', 'Don't Stand So Close To Me' and 'Message In A Bottle'.
Crosby, Stills & Nash
Runtime: 2 hr 33 minCrosby, Stills, & Nash join forces for their first live performance video in over 2 decades! Filmed during their 2012 tour, CSN 2012 includes many of the trio's classic hits, some new and unreleased songs, and a rare performance of "Suite: Judy Blue Eyes."
The Deep End: Face the Face
Runtime: 1 hr 27 minThis show was filmed for the famous German TV series Rockpalast at MIDEM in Cannes on 29th January 1986. Pete Townshend’s Deep End were touring in support of Townshend’s solo concept album “White City: A Novel”. Several of the musicians that appeared on the album were featured in the line-up of the Deep End including Pink Floyd’s David Gilmour on lead guitar. The set list has tracks from the “White City” album, other Pete Townshend solo tracks, Who classics, David Gilmour’s song “Blue Light” and a couple of surprises. Pete Townshend and the band deliver an outstanding performance that showcases him as a solo artist as distinct from his work with The Who.
Runtime: 1 hr 46 minThe Dance finds Fleetwood Mac rekindling their late ‘70s magic on stage with mostly successful results. Old friends and sparring partners Stevie Nicks, Lindsey Buckingham and Christine McVie harmonize and take turns in the spotlight, backed as before by the sturdy rhythm section of John McVie and Mick Fleetwood. Performing in a stripped-down format, the group reconsiders its past with a sense of perspective — Nicks in particular adds something new to signature songs like “Rhiannon” and “Landslide.” Buckingham acquits himself well on the always odd “Tusk” as well as such fresh tunes as the ferocious “My Little Demon” and the Appalachian-accented “Bleed to Love Her.” Christine McVie acts as a leavening force, rippling sweetly through “Say You Love Me” and gliding high on the new “Temporary One.” If there’s a centerpiece to this set, it’s Nicks’ “Silver Springs,” a devastating break-up ballad denied a spot on the Mac’s landmark Rumours album. The inevitable (but still welcome) “Don’t Stop” brings the set to a rousing conclusion.
Live at Knebworth 1990 - Volume III
Runtime: 1 hr 4 minKnebworth, Hertfordshire, June 30, 1990. 120,000 fansgathered for an historic concert event to aid the Nordoff-Robbins Music Therapy Centre and the BRIT School for Performing Arts and Technology. This incredible benefit concert was an instant success due to the high-energy, awe-inspiring performances of such rock 'n' roll legends as Paul McCartney, Phil Collins, Pink Floyd, Eric Clapton, Elton John, Mark Knopfler, Robert Plant, Jimmy Page, Status Quo, Tears For Fears and Cliff Richard & The Shadows.
Live at Soundstage
Runtime: 54 minOne of the most loved bands in rock history, as well as one of the most commercially successful-with 50 hit songs in the U.S. alone, 18 gold records, a Grammy, and a star on the Hollywood Walk of Fame Chicago have maintained the unflagging devotion of millions of devoted fans throughout their 37-year career. It began with the goal of incorporating the diverse musical range of their hometown Chicago, and incorporating the big-band aesthetic that included horns which had been virtually left behind in the world of rock and roll, Chicago went on to create a sound that remains unparalleled in rock music. Incorporating rock as only one genre among the many that they drew from, the band courageously rejected the trappings of celebrity in order for the music to stand on its own. This program documents a live show that was broadcast on PBS in June of 2003 where they play many of their hits from throughout their long career, including "25 or Six to Four," "You're the Inspiration," "Saturday in the Park," and "Beginnings," among many others.
It Had to Be You
Runtime: 1 hr 50 minRod Stewart found a new audience singing the great popular songs of the early 20th century. It Had To Be You: The Great American Songbook features live renditions of songs from his first album of classic standards plus nine of Stewart’s own classics.
Some Girls: Live in Texas
The Rolling Stones
Runtime: 1 hr 22 minThe Rolling Stones 1978 tour of the USA in support of that year’s “Some Girls” album is considered by fans to be one of their very best. The tour followed immediately on the release of the “Some Girls” album and by the time the band arrived in Texas in mid-July the album had hit the No.1 spot on the US charts. The tour took a “back to basics” approach, with the band and their music very much at the forefront and little or no elaborate staging. Filmed at the Will Rogers Memorial Center in Fort Worth, Texas, on 18 July 1978, this concert is typical of the tour with the Rolling Stones delivering a raw, energetic performance in front of a crowd who are clearly loving the show. Many of the tracks from “Some Girls” are included in the live set with a sprinkling of Stones classics from earlier albums. Originally shot on 16mm film, the footage has been carefully restored and the sound remixed and remastered by Bob Clearmountain from the original multitrack tapes.
From Liverpool to San Francisco
Runtime: 52 minThe Beatles: From Liverpool to San Francisco documents the early years of Beatlemania. This presentation features footage of the group from their early days in their hometown to their final live performance in Candlestick Park. This documentary consists primarily of interview footage, television appearances, and lots of archival footage of adoring fans screaming for the Fab Four.
Living In The Material World
Runtime: 3 hr 29 minDirected by Martin Scorsese, George Harrison – Living in the Material World is a stunning double-feature-length film tribute to one of music’s greatest icons. Using unseen photos and footage, Academy Award®-winning director Martin Scorsese traces the life of George Harrison in a personal film, weaving together performance footage, home movies, rare archival materials and interviews with his family and friends including Eric Clapton, Terry Gilliam, Eric Idle, George Martin, Paul McCartney, Yoko Ono, Tom Petty, Phil Spector, Ringo Starr and Jackie Stewart. As his friend John Lennon once said: “George himself is no mystery. But the mystery inside George is immense. It’s watching him uncover it all little by little that’s so damn interesting.” ‘An epic, fitting tribute to the complexity and genius of the man himself.’ MOJO ‘Spectacularly good...’ THE WORD
Live at Soundstage
Runtime: 56 minFronting his eighth All-Starr Band, the cheerful singer and drummer brought new direction to a concept that's served him well since 1989. Filmed live at Casino Rama in Toronto, Canada - All Starr 2003 members are John Waite (The Babys, Bad English), Colin Hay (Men at Work), Paul Carrack (Squeeze, Mike & The Mechanics), Sheila E. (Prince), Mark Rivera (Billy Joel.) During this summer 2003 tour, Ringo Starr allowed a cameraman to follow him and the All-Starrs throughout the course of their travels for the first time ever! This program is an unscripted, uncensored and unprecedented look at a Rock Legend at work -and at play, behind-the-scenes footage brings you up close and personal with the boys - and girl - in the band. Join in with Ringo as he gets a little help from his friends on classics like Honey Don't, Boys and Yellow Submarine! Plus, experience an All-Starr take on 80s Hits like Mike & The Mechanics, Graceful Living Years, Sheila E.'s funk-pop Glamorous Life and Men At Work's cult favorite Down Under.
Fusions: Live in London
Electric Light Orchestra
Runtime: 50 minFilmed in 1976 whilst on their Face the Music Tour, sees the band live in London for the first time in three years, due to their popularity in the United States.
Aside from Out of the Blue: Live at Wembley, this is the only concert footage of the classic lineup known to exist (with Zoom Tour Live and a VH1 Storytellers appearance from 2001 forming the only other pieces of live footage).
Wonderful Crazy Night
Runtime: 1 hr 7 minThirty-three studio albums and Elton John and his trusted copilot, Bernie Taupin, are still making the soundtrack of our lives. Rock ’n’ roll is the key motivator here. “Blue Wonderful” is wrapped in guitars and features a solo from album producer T Bone Burnett. “Guilty Pleasure” is raucous fun. Taupin’s deft lyrical touch shines on “I’ve Got 2 Wings” and “The Open Chord”, both flush with clever turns of phrase. “A Good Heart” is pure Elton balladry—heartfelt feelings framed by his timeless voice. “Looking Up” expresses gratitude with characteristic flair, like a 2016 version of “I’m Still Standing”. Wonderful Crazy Night shows that rock ‘n’ roll remains Elton John’s North Star.
Good Vibrations Tour
The Beach Boys
Runtime: 50 minThis concert film captures the classic line-up of The Beach Boys - Brian Wilson, Dennis Wilson, Carl Wilson, Mike Love, and Al Jardine - performing a handful of their most beloved tunes including "God Only Knows," "California Girls," "Sloop John B," and "Good Vibrations."
Runtime: 1 hr 12 minRecorded in 1994, Bob Dylan - MTV Unplugged is a brilliant, quietly impassioned performance by one of pop music's most significant figures. Fronting his empathetic five-piece band (Bucky Baxter excels on dobro, mandolin, and pedal steel guitar; Bob himself plays frequent "rhythm leads" on his Martin), Dylan performs four of his best-known and potentially most overdone tunes in the 73-minute show; but "All Along the Watchtower," "The Times They Are A-Changin'," "Like a Rolling Stone," and "Knockin' on Heaven's Door" all sound great, with Dylan, as is his wont, re-casting both the arrangements and melodies. Even better is the obscure "John Brown" (written in the early '60s), a driving, biting war protest song of the kind that made him famous, while "Dignity," a lesser-known tune from the '90s, is filled with great lines ("Met Prince Phillip at the home of the blues... said he was abused by dignity"), and "Shooting Star" revisits Oh Mercy, Dylan's best '80s album. Through it all, Dylan says nary a word, although he does smile and shake some hands (even removing his shades) at the end. And as good as it may be, this show is most likely different from every Dylan concert before or since, a sure sign of an artist in no danger of becoming irrelevant.