L7 Concert Films
Pretend We're Dead
Runtime: 1 hr 27 minL7: Pretend We're Dead takes us on an all-access journey into the 1990's grunge movement that took the world by storm, and the band that helped define it as the genre of a generation. Culled from over 100 hours of vintage home movies taken by the band, never-before-seen performance footage, and candid interviews, L7: Pretend We're Dead is an engrossing time capsule told from the perspective of L7, these true insiders who brought their signature blend of grunge punk to the masses! Chronicling the early days of the band's formation in 1985 to their height as the 'queens of grunge,' the film takes a roller coaster ride through L7's triumphs and failures, providing never-before-discussed insight into the band's eventual dissolution in 2001. Formed by Donita Sparks and Suzi Gardner-guitars/vocals, the band completed their lineup with the addition of Jennifer Finch on bass/vocals and Dee Plakas on drums. To highlight the fact that L7 was an all-female group, however, was to miss the point. "Our fans couldn't give a shit if we're women," Sparks says. "We did not set out to be an all-girl band. It just happened that way." Yet the "gender issue" would return time and again for the band; from shock jocks refusing to play "chick rock" to academics accusing the band of "incorrectly" embracing their feminism to hard rock press implying the band was merely riding a wave of "girl power" trendiness. Despite these obstacles, L7: Pretend We're Dead shows the thread of influence the band had not only on rock and roll but on future generations of women everywhere and is, at the end, a testament to the pioneering spirit of a band that refuses to take anything lying down. "They can't hear a word we said, when we pretend that we're dead" Also includes the infamous 1997 documentary "L7 The Beauty Process" that was directed by Krist Novoselic.
L7 Top Tracks
Runtime: 1 hr 17 minFilmed live on Halloween night 2009 at Voodoo Experience in New Orleans, Live Voodoo sees the reunion of the classic Jane's Addiction line-up of Perry Farrell (vocals), Stephen Perkins (drums), Eric Avery (bass) and Dave Navarro (guitar). This spectacular show captures the band on top form with Perry Farrell at his most mesmerizing and the rest of the band clearly enjoying the occasion. The tracklisting is predominantly drawn from their first two albums, which both featured this line-up, and the band are joined on stage by twin girl dancers, whilst the show climaxes with a joyous all singing and dancing stage invasion.
Alive in the Windy City
Stone Temple Pilots
Runtime: 1 hr 17 minFilmed at a sold-out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band is in top form, and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album, and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.
The Unheard Music
Runtime: 1 hr 24 minX: The Unheard Music takes long, detailed, and often funny look at the LA music scene of the late 70s and 80s and focuses on the group that critics had singled out as the leader of the underground pack. The Unheard Music is a documentary that combines live footage of the band and interviews with the four members (as well as their friends and families) with surreal music videos and montages of newsreel footage and vintage television commercials which help to illustrate X's uphill struggle against the music industry. Their story rings true even today.
Live at the Roundhouse London
Runtime: 1 hr 6 minSeminal punk band X-ray Spex release a special live concert film recorded at 2008’s sell-out concert at the Roundhouse through new Future Noise Music imprint Year Zero. The first X-ray Spex live outing since 1979, this performance of their classic album Germ Free Adolescents saw singer Poly Styrene and bassist Paul Dean joined by friends Sid Truelove (anarcho-punk drummer with Rubella Ballet and Flux of Pink Indians), Mark Saxby (former guitarist with Arnold) and Flash (saxophone player, formerly with Rip Rig & Panic, Jah Wobble, Don Cherry and the Slits) at London’s Roundhouse on September 6th 2008 in front of 3,000 raucous fans. In 1976 X-ray Spex were formed by Poly Styrene placing an ad in NME and Melody Maker for "Young Punx Who Want To Stick It Together". For a generation sifting through the wreckage left by punk rock, X-ray Spex truly turned our world day-glo. The combination of tough, razor sharp riffs, kooky sax lines and Poly Styrene’s wonderful voice and incisive lyrics tearing into plastic consumerist society were perfect. Their 1978/79 stay was all too brief - a handful of memorable singles: debut Oh Bondage Up Yours! and the hits The Day The World Turned Day-Glo, Germ Free Adolescents and Highly Inflammable. Versions of all these songs are featured here, alongside previously unreleased new track Bloody War. X-ray Spex transcended punk, influencing a whole new scene of indie kids and post-Riot Grrrl rockers like the Yeah Yeah Yeahs and the Gossip. The band’s innate genius and brilliant song writing makes them as relevant now as they were then. They are that rarest of things, a group that has never dated.
Busted Circuits and Ringing Ears
Runtime: 1 hr 30 minThis film spans the entire career of Tad, featuring archival live footage, interviews, music videos, and lost footage, as well as new footage and interviews with the band members and Krist Novoselic (Nirvana), Mark Arm (Mudhoney), Kim Thayil (Soundgarden), Chad Channing (Nirvana), and many others. TAD took the idea of playing LIVE very seriously; it was a life or death matter. This documentary not only stands as testimony, but it's also a cinematic document of the world's HEAVIEST band EVER (as Bruce Pavitt so incisively puts it) boldly stretching that assertion beyond any previously known limitations. Better than a tattoo, it's an open scar that roars, a broken alarm bell ringing from the lost event horizon of a long-dead star, one would never see - that is, until this film clipped it back onto the light box of the silver screen, where it can be deciphered and viewed anew. This documentary telescopes the musical pathology of Tad down to the image of an electrocardiograph recording the minor-mode melody of a final infarct, a demented soundtrack that is neither tame nor de-clawed. It was never meant to be. Dare to feel it, and risk bleeding internally.
Kurt Cobain: About a Son
Runtime: 1 hr 37 minAn intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book "Come As You Are: The Story of Nirvana." In the film, Kurt Cobain recounts his own life - from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame - and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public and they reveal a highly personal portrait of an artist much discussed but not particularly well understood.
Live at the Moore
Runtime: 2 hr 32 minIn 1995, Mike McCready of Pearl Jam, Layne Staley of Alice In Chains, Barrett Martin of the Screaming Trees and bassist John Baker Saunders played their final show as Seattle-grunge supergroup Mad Season at the Moore Theater in Seattle. The new release of "Live At The Moore" features the legendary show remixed and remastered, also newly edited by director Duncan Sharp for a beautiful new documentary-like presentation, giving the show an updated look as if the viewer were in room that night. Fans will be pleased that included are four performances from the show that have never been seen, including the fan-favorite "Wake Up." Also featured is a full concert of Mad Season's performance from New Years Eve 1994 at RKCNDY in Seattle (which was shot by the band's crew for an up close and intimate look at the band), both performances from Pearl Jam's pirate radio special, "Self-Pollution Radio," and the music video for the hit single "River of Deceit".