Eddie Vedder is arguably the most recognized superstar of the grunge era, after Kurt Cobain. As the singer for Pearl Jam, Vedder devised a vocal style that became synonymous with the genre and even today can be identified by the slightest whiff of his presence on a song. Vedder has always been very active outside of Pearl Jam, but he never officially left the band for any reason and has appeared in countless duet or collaborative situations, often in a one-off format for a film soundtrack. In 2007 he released his first full album of solo material, Into the Wild, a soundtrack for the eponymous film directed by Sean Penn, who reportedly hand-picked Vedder for the job.
Eddie Vedder Concert Films
Water On The Road
Runtime: 1 hr 18 minWater on the Road, a live-concert film directed by Brendan Canty of Fugazi and Christoph Green features performances from Pearl Jam singer Eddie Vedder's August 2008 solo tour engagements at Washington, D.C.'s Warner Theatre. The film features a live performance of "You're True" from the Grammy nominated album Ukulele Songs as well as a mix of Pearl Jam catalog, covers and songs from Vedder's critically acclaimed, award-winning solo record, Into The Wild. The film also includes appearances by Liam Finn and EJ Barnes who supported Vedder during his 2008 solo tour.
Eddie Vedder Top Tracks
Classic Album: Nevermind
Runtime: 49 min"Nevermind" was the second album from the Seattle trio and the first on the DGC label (it's predecessor "Bleach" was released on the Sub Pop label). It was produced by Butch Vig (also the drummer for the band Garbage) and mixed by Andy Wallace. Nirvana's surviving members Krist Novoselic (bass) and Dave Grohl (drums) talk candidly about their past, the recording of Nevermind and about Kurt Cobain and the legacy that he has left behind. Also featured are exclusive interviews with the likes of Garry Gersh (A&R DGC Records), Butch Vig, Jonathan Ponneman and Nils Bernstein (Sub Pop Records), Thurston Moore (Sonic Youth), Jack Endino, and many more.
Songs from the Road
Runtime: 1 hr 12 minThis release presents live performances from celebrated songwriter Leonard Cohen culled from various stops on a 2008 world tour that saw him playing to his largest audiences in years.
Hammersmith Odeon London '75
Runtime: 2 hr 10 minThis is the stuff of legend. Born to Run had been released to unanimous acclaim. Bruce and band went to the U.K., where they were hyped as the band to see-and with the stakes so high, they didn’t back down. These are definitive performances. “Thunder Road” has never sounded more naked and vulnerable. “Tenth Avenue Freeze-Out” is clutch, a tight, affirmative performance that swings and punches with authority. “Spirit in the Night” slinks and unfolds like the New Jersey shoreline. The mix from Bob Clearmountain points up the band's incomparable chemistry, unlocking the magic and spotlighting the instruments while never sacrificing the wall of sound. By 1975, Springsteen had a complex web of songs with the most inventive structures imaginable. From the ethereal organ haunting the ghosts of “Lost in the Flood” or the simple piano accompaniment driving “For You” to the wistful memories of “Backstreets” and the urban sprawl of “Jungleland,” Bruce and The E Street Band were never more operatic or intense.
Live at Music Hall of Williamsburg
Mumford & Sons
Runtime: 57 minThe atmosphere at Music Hall Of Williamsburg was thick; like a down blanket, or a warm piece of cake, or any number of your favorite comfortable things. That could probably be attributed to the lush harmonies and textures of Mumford and Sons, a group of musicians (and not a family owned apothecary) who knocked several out of the park during this sold-out show earlier this Spring. From the schizophrenic instrument swaps to the bass-drum heavy foot-stomping tunes, Mumford and Sons produce a slice of music that is both wonderful and intrinsically dashing...and our cameras were there to prove it.
Live at Soundstage - Part Two
Runtime: 54 minJohn Mayer’s convincing vocals, guitar virtuosity and compelling songwriting has earned him the respect of his contemporaries as well as significant radio airplay and a solid fan following. On the second part of this Soundstage episode, John Mayer continues his set with favorites “My Stupid Mouth,” “Neon” and the Grammy Award-winning Song of the Year “Daughters.” Towards the end of this episode Buddy Guy returns to end this show on a high note (literally). This time the roles are reversed as Buddy takes the lead on the classic blues “Feels Like Rain,” while Mayer steps back on guitar and lets the teacher do his thing.
Live at Soundstage
Runtime: 53 minThe Counting Crows know how to have fun. Lead Singer Adam Duritz rocks his way through an evening in which poetry seems to explode from the band's repertoire of blues/rock/country hits. Fresh off the release of their greatest hits album Films About Ghosts (taken from a line in the song "Mrs. Potter's Lullaby"), the band reflects on its 10-year history in a Soundstage episode that highlights the iconic "Mr. Jones," along with other up-tempo tunes including "Hangin' Around," "Rain King" and "Mrs. Potter's Lullaby." Duritz slows down in the mournful rendition of "A Long December" but reinvigorates the mood with the rootsy "American Girls." Other hits featured include "Recovering the Satellites," and "She Don't Want Nobody Near."
Live at the Moore
Runtime: 2 hr 32 minIn 1995, Mike McCready of Pearl Jam, Layne Staley of Alice In Chains, Barrett Martin of the Screaming Trees and bassist John Baker Saunders played their final show as Seattle-grunge supergroup Mad Season at the Moore Theater in Seattle. The new release of "Live At The Moore" features the legendary show remixed and remastered, also newly edited by director Duncan Sharp for a beautiful new documentary-like presentation, giving the show an updated look as if the viewer were in room that night. Fans will be pleased that included are four performances from the show that have never been seen, including the fan-favorite "Wake Up." Also featured is a full concert of Mad Season's performance from New Years Eve 1994 at RKCNDY in Seattle (which was shot by the band's crew for an up close and intimate look at the band), both performances from Pearl Jam's pirate radio special, "Self-Pollution Radio," and the music video for the hit single "River of Deceit".
Single Video Theory
Runtime: 45 minSingle Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.
Alive in the Windy City
Stone Temple Pilots
Runtime: 1 hr 17 minFilmed at a sold-out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band is in top form, and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album, and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.
Live in Cuba
Runtime: 2 hr 30 minFilmed Live at the Anti-Imperialist Plaza in Havana, Cuba. In may 2005, Audioslave became the first american rock band to ever perform in Cuba. 60,000 screaming fans witnessed this historic event.