Bat For Lashes
The opening track on British songwriter and singer Natasha Khan's debut record came to her in a dream, one that inspired the former film student and then-nursery school teacher to a second career in music. According to Khan, the dream focused on a black horse that came to her window and invited her to take part in a mythical quest. In the waking world, that quest led to Kahn writing songs filled with themes of otherworldly kingdoms, fanciful allegories and woodland creatures, and eventually setting them to tape for a heady blend of darkly psychedelic indie pop. Recorded between her home city of Brighton and London, the record, Fur and Gold, found a home on the Echo Label and was released in September, 2006. Praised by the British press for her artful presentation and lolling songcraft, Kahn put together a live band and hit the road, supporting likeminded indie songstresses CocoRosie. She soon went back into the studio and released the more electro-centric follow-up, Two Suns in 2009.
Everything In-Between: The Story Of Ellipse
Runtime: 1 hr 30 minGo behind the scenes and explore the three year journey of Imogen Heap’s making of the Grammy Award winning album, Ellipse. Travel the world with Imogen as she invites you into her writing and recording process and building her brand new recording studio in her old family home.
Live at Montreux
Runtime: 49 minThese two concerts from Montreux in 1991 and 1992 catch Tori Amos right at the start of her solo career. The first from July 1991 was filmed a few months before the release of her Little Earthquakes album and the second from July 1992 followed a few months after. There is a fascinating progression from one year to the next as she grows in confidence and skill as a live performer, buoyed by the critical and commercial success of the album. Naturally most of the songs are taken from Little Earthquakes but there are also rare songs from her various EPs released across the two years which didnt make it onto the album including her distinctive takes on Led Zeppelins Whole Lotta Love and Thank You and Nirvanas Smells Like Teen Spirit.
Live in London
Runtime: 1 hr 27 min'LIVE IN LONDON' is the first live recording and concert film from acclaimed artist Regina Spektor. Captured mainly at London's famed Hammersmith Apollo Theatre, 'LIVE IN LONDON' features 23 remarkable performances that span Spektor's brilliant catalog of music, including three new songs that have only been performed live ('Silly Eye-Color Generalizations,' 'Bobbing For Apples and 'Love, You're A Whore'). 'LIVE IN LONDON' was recorded during Regina's UK tour in support of her latest album, 'far,' which debuted at #3 on the Billboard Top 200. For the first time, fans can see Regina up close as she performs fan favorites like 'Us,' 'Fidelity,' 'Samson' and 'Eet,' along with backstage footage, inside peaks at sound check and more. 'LIVE IN LONDON' is a captivating 64-minute concert film directed by Adria Petty. An artist praised for her remarkable originality, inspired storytelling and enthralling performances, Rolling Stone raves, 'Spektor put on one of the most intensely joyful rock shows we've seen all year.' The Philadelphia Inquirer adds, 'Everything she did was greeted with thunderous applause... the audience could not get enough. Perhaps what was most remarkable about Regina's performance, aside from hearing Spektor's gorgeous vocals in person, was her ability to enrapture the crowd... Spektor's passion, vitality and sheer musical talent transformed the Electric Factory into a world of intimacy.' The Boston Globe simply says, 'multi-talented Spektor is capable of anything and it shows on stage.'
Live at Soundstage
Runtime: 49 minNash's Soundstage appearance features such as "Pumpkin Soup", "Mouthwash", "Stitching Legs"; with all its infectious sing-along tunes and catchy beats,watch Nash doing what she does best as she captivates the audience with her amazing energy and down to earth personality.
Runtime: 1 hr 36 min‘Biophilia Live’ is a concert film directed by Peter Strickland and Nick Fenton and produced by Jacqui Edenbrow that captures the human element of Björk’s multi-disciplinary multimedia project: Biophilia. Recorded live at Björk’s show at London’s Alexandra Palace in 2013, the film features Björk and her band performing every song on ‘Biophilia’ and more using a broad variety of instruments – some digital, some traditional, and some completely unclassifiable. The film has already been hailed as “a captivating record of an artist in full command of her idiosyncratic powers” (variety) and “an imaginative stand-alone artwork” (hollywood reporter) and is a vital piece of the grand mosaic that is ‘biophilia.’