Band of Skulls
Band of Skulls are a U.K.-based rock trio that messes with categorization, hopscotching from classic rock to garage rock to post-punk and more; they even manage to sound like Fairport Convention at times. Meanwhile, their songs have been used in a Ford Mustang ad, The Twilight Saga: New Moon and Friday Night Lights. Their critically acclaimed 2009 debut, Baby Darling Doll Face Honey, is as substantial, assured and nearly as effective as the Yeah Yeah Yeahs' first record. Decidedly more in line with fellow new school blues rockers the Black Keys, Band of Skulls have yet to be swallowed by the hype machine that has pushed them into the mainstream.
Band of Skulls Concert Films
Band of Skulls Top Tracks
Live at The Metro Theatre
Runtime: 1 hr 15 minJet is a rock band from Melbourne, Australia composed of Cameron Muncey, Mark Wilson, and brothers Nic and Chris Cester. Here they perform at The Metro Theatre, in Sydney, Australia, on December 18th, 2009.
Live from the Vic in Chicago
Cage The Elephant
Runtime: 1 hr 15 minBowling Green, Kentucky-borne indie rock ensemble Cage the Elephant (Jared Champion, Lincoln Parish, Daniel Tichenor, Matt Shultz and Brad Shultz) toplines this 2011 concert film, performed and shot live at the Old Vic in Chicago. The sprawling set list includes: "Psycho Killer," "Tiny Little Robots," "Lotus," "Around My Head" and "Japanese Buffalo."
Live at the O2
Runtime: 1 hr 48 minFilmed in high definition at London’s renowned O2 Arena on December 15th, 2011. The show came on the back of the band’s No.1 album “Velociraptor!” and the setlist combines tracks from that album with hits and classic album tracks from across their career so far. The concert was part of a sold out arena tour that covered the UK and Ireland at the end of last year. Kasabian are the recipients of numerous awards for “Best Live Band” and “Best British Band” in recent years and this new show with its spectacular and innovative staging will be a must have for their huge and dedicated fanbase.
Live at The Oxford Art Factory
Runtime: 38 minWhen you hear them perform, right from the primal crunchy grooves of ‘Come Of Over’ to riff-heavy ‘Out Of The Black’ and stomping second single ‘Little Monster’, it’s hard to understand how such a ferocious sound comes from such a minimal line-up. Needless to say we were left speechless after this gig, and no doubt you will be too. Royal Blood perform at The Oxford Art Factory, in Sydney, Australia, on June 4, 2014.
Main Square 2011
Cold War Kids
Runtime: 57 minGet ready for a heartfelt performance by American indie rock band Cold War Kids, at Main Square, in 2011. Stay tuned for their forthcoming album New Age Norms, out this autumn.
Live at Montreux 2008
Runtime: 1 hr 29 minThe Raconteurs (Jack White, Brendan Benson, Patrick Keeler and Jack Lawrence) came to Montreux in 2008 as part of the tour in support of their second album “Consolers Of The Lonely”. They delivered a great performance of their distinctive brand of rough, tough rock ‘n’ roll with great tunes and even better guitar licks featuring many of their best known tracks including “Steady, As She Goes”, “Many Shades Of Black”, “Broken Boy Soldiers”, “Salute Your Solution” and more.
Live at the Crystal Ballroom
The Black Keys
Runtime: 1 hr 4 minThe Black Keys' new concert film, Live at the Crystal Ballroom, reflects the no-frills genius of the drums-and-guitar duo's studio sound: It's a refreshingly straightforward video document of their April 4, 2008 sold-out gig at Portland, Oregon's Crystal Ballroom, featuring seventeen songs culled from all five of the pair's albums. Director Lance Bangs - who has made videos for the Arcade Fire, the Yeah Yeah Yeahs, Sonic Youth as well as directing R.E.M.'s Road Movie - keeps his small camera crew focused on the stage, getting up close and sweaty with guitarist-singer Dan Auerbach and drummer Patrick Carney. Occasionally, he'll pull back to acknowledge the head-bobbing crowd pressed close to the stage, their hands reaching out to Auerbach. There are no visual pyrotechnics, no elaborate editing, no backstage cutaways, yet the show is riveting from start to finish and the feel of the music in that room is nothing less than triumphant.