Alice In Chains
Alice in Chains' debut arrived at the outset of the '90s without a name for the market they were supposed to attract. Their sound was too unique to be considered metal and more visceral than mere straight-ahead rock, but it was soon lumped in with that of other prominent bands emerging from the overcast skies of Seattle around the same time. Gritty, down-tuned guitars kept their legion of fans headbanging to "Man in a Box" and "Would?," offering sharp contrast to their mellower acoustic output ("Got Me Wrong," "No Excuses"). However, it was Jerry Cantrell and Layne Staley's thick and dissonant harmonies which became one of their most imitated and original features, spawning endless copiers. Heroin-tinged lyrics and jagged, odd-time riffs foreshadowed their supposed demise, but their influence lives on in many of today's copycat bands.
Alice In Chains Concert Films
Alice In Chains Top Tracks
Live at the Grand Olympic Auditorium
Rage Against The Machine
Runtime: 2 hr 4 minRage Against The Machine return to their hometown of Los Angeles for an uncompromising, incendiary set in Live At The Grand Olympic Auditorium, the final dates of their Battle of Los Angeles tour and the band's last shows until their 2007 reunion.
Zénith Paris 2013
Queens of the Stone Age
Runtime: 1 hr 38 minGet your fill of riff-oriented heavy rock with this dark and moody performance by Queens of the Stone Age. Best enjoyed with the volume turned up high!
Classic Albums: Paranoid
Runtime: 55 minThe second album by Black Sabbath, released in 1970, has long attained classic status. Paranoid not only changed the face of rock music, but also defined the sound and style of heavy metal more than any other record in rock history. The result of a magic chemistry which had been discovered between four English musicians, it put Black Sabbath firmly on the road to world domination.
This programme tells the story behind the writing, recording and success of the album. Despite vilification from the Christian and moral right and all the harsh criticism that the music press could hurl at them, Paranoid catapulted Sabbath into the rock stratosphere.
Using exclusive interviews, musical demonstration, archive footage and a return to the multi-tracks with engineer Tom Allom, the film reveals how Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward created their frighteningly dark, heavy and ear-shatteringly loud sound.
Additional comments from Phil Alexander (MOJO & Kerrang! editor), Geoff Barton (Classic Rock editor), Henry Rollins (writer/musician) and Jim Simpson (original manager) add insight to the creation of this all-time classic.
Alive at Twenty-Five
Runtime: 1 hr 25 minThe Legendary Band, Jane's Addiction performs their 2X Platinum Alt-Rock Masterpiece Album in it's entirety, along with the bands biggest hits- igniting the stage at the Irvine Meadows Amphitheater, during the bands 2015/2016 Silver Spoon Anniversary Tour to commemorate the 25th Anniversary of the bands Groundbreaking Album.
God Bless Ozzy Osbourne
Runtime: 1 hr 34 minOzzy Osbourne is one of the most iconic figures in rock and one of the founding fathers of heavy metal, however to many his “Madman” persona has overshadowed his considerable musical achievements. “God Bless Ozzy Osbourne” tells for the first time the story of his career from the founding of Black Sabbath through to solo stardom and his wider fame beyond. These were the wild days of his prodigious drug and alcohol intake, of biting the head from a dove at a record company meeting and biting into a bat on stage but also of the tragic death of Randy Rhoads and the reality TV show The Osbournes. The film follows Ozzy’s torturous and emotionally fraught journey from excess to sobriety, which Ozzy regards as his greatest accomplishment. Featuring never before seen footage, new interviews with Ozzy himself, his brothers and sisters, his children, his bandmates in Black Sabbath and those who both inspired him and were inspired by him, this is the first film to take viewers inside the mind and psyche of this legendary figure.
Single Video Theory
Runtime: 45 minSingle Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.
Live in Cuba
Runtime: 2 hr 30 minFilmed Live at the Anti-Imperialist Plaza in Havana, Cuba. In may 2005, Audioslave became the first american rock band to ever perform in Cuba. 60,000 screaming fans witnessed this historic event.
Classic Album: Nevermind
Runtime: 49 min"Nevermind" was the second album from the Seattle trio and the first on the DGC label (it's predecessor "Bleach" was released on the Sub Pop label). It was produced by Butch Vig (also the drummer for the band Garbage) and mixed by Andy Wallace. Nirvana's surviving members Krist Novoselic (bass) and Dave Grohl (drums) talk candidly about their past, the recording of Nevermind and about Kurt Cobain and the legacy that he has left behind. Also featured are exclusive interviews with the likes of Garry Gersh (A&R DGC Records), Butch Vig, Jonathan Ponneman and Nils Bernstein (Sub Pop Records), Thurston Moore (Sonic Youth), Jack Endino, and many more.
Live at the Moore
Runtime: 2 hr 32 minIn 1995, Mike McCready of Pearl Jam, Layne Staley of Alice In Chains, Barrett Martin of the Screaming Trees and bassist John Baker Saunders played their final show as Seattle-grunge supergroup Mad Season at the Moore Theater in Seattle. The new release of "Live At The Moore" features the legendary show remixed and remastered, also newly edited by director Duncan Sharp for a beautiful new documentary-like presentation, giving the show an updated look as if the viewer were in room that night. Fans will be pleased that included are four performances from the show that have never been seen, including the fan-favorite "Wake Up." Also featured is a full concert of Mad Season's performance from New Years Eve 1994 at RKCNDY in Seattle (which was shot by the band's crew for an up close and intimate look at the band), both performances from Pearl Jam's pirate radio special, "Self-Pollution Radio," and the music video for the hit single "River of Deceit".
Alive in the Windy City
Stone Temple Pilots
Runtime: 1 hr 17 minFilmed at a sold-out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band is in top form, and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album, and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.
Let It Roll: Live in Germany
Runtime: 1 hr 29 minThis concert by Velvet Revolver was filmed at the Palladium in Cologne, Germany in March 2008 for the legendary German TV series Rockpalast. The concert was near the end of the tour for their second album Libertad and came just a few days before the band went on hold following the departure of singer Scott Weiland. The set draws heavily on the Libertad album but also features tracks from their debut album Contraband and covers of Stone Temple Pilots and Guns n Roses tracks.
Busted Circuits and Ringing Ears
Runtime: 1 hr 30 minThis film spans the entire career of Tad, featuring archival live footage, interviews, music videos, and lost footage, as well as new footage and interviews with the band members and Krist Novoselic (Nirvana), Mark Arm (Mudhoney), Kim Thayil (Soundgarden), Chad Channing (Nirvana), and many others. TAD took the idea of playing LIVE very seriously; it was a life or death matter. This documentary not only stands as testimony, but it's also a cinematic document of the world's HEAVIEST band EVER (as Bruce Pavitt so incisively puts it) boldly stretching that assertion beyond any previously known limitations. Better than a tattoo, it's an open scar that roars, a broken alarm bell ringing from the lost event horizon of a long-dead star, one would never see - that is, until this film clipped it back onto the light box of the silver screen, where it can be deciphered and viewed anew. This documentary telescopes the musical pathology of Tad down to the image of an electrocardiograph recording the minor-mode melody of a final infarct, a demented soundtrack that is neither tame nor de-clawed. It was never meant to be. Dare to feel it, and risk bleeding internally.