Alberta Cross Concert Films
Live At The ATO Cabin
Runtime: 14 minOne wouldn't expect to find a cabin on Wall Street, but lo and behold, that's exactly where we were able to catch up with the English duo, Alberta Cross in our latest session. It's a freaky sort of space, a place where bare, industrial stairways suddenly lead to a surprising, rooftop abode that really hammers home a serene, upstate vibe. Right there on Wall Streetkind of an appropriate setting for a band that dabbles in creating serene and rustic (OK, their recent album Songs of Patience also rocks) tunes from their newfound hometown, NYC.
Alberta Cross Top Tracks
Live at The Metro Theatre
Runtime: 1 hr 41 minHailing from Portland, Oregon The Decemberists made their first Australian pilgrimage on the back of their 2009 release - The Hazards Of Love - the follow-up to their 2006 breakthrough, The Crane Wife. Here they are performing at The Metro Theatre, in Sydney, Australia, on January 19, 2010.
In the Deep Shade
Runtime: 1 hr 28 minConor Masterson's film In the Deep Shade is not a definitive career-spanning documentary of The Frames. Nor is it a fly-on-the-wall expose or an us-against-the-world hero saga. It is, simply put, a stark portrait of an extraordinary band, filmed during their 20th anniversary tour. In the Deep Shade examines the ever-evolving relationship between five musicians who've known each other for many years. That's the story, and in its understated way, it's an uncommon one.
Live at The Regency Ballroom
Cold War Kids
Runtime: 1 hr 16 minIf there is one thing Cold War Kids have taught us it's never judge a book by its cover - or a band by its name. The Californian indie rockers performed a slick, soulful, grown-up set at Regency Ballroom in support in support of "Dear Miss Lonelyhearts." Dipping into newer tracks such as rollicking electro stomper 'Miracle Mile' and raw renditions of fan favourites like 'We Used To Vacation' and 'Hang Me Up To Dry', the Kids showed us they are more than capable of putting on a phenomenal live performance that can keep everyone in the house rocking until the final minute.
Live at The Mercury Lounge
Runtime: 29 minBlitzen Trapper's music went through various genres with each record, bouncing from indie folk to art rock to experimental folk before settling into a rich, dusty brand of Neil Young-inspired alt country. The band formed in 2000 in Portland, Oregon, with songwriter Eric Earley leading a lineup that also included Erik Menteer (guitar, keyboard), Brian Adrian Koch (drums, vocals), Michael Van Pelt (bass), Drew Laughery (keyboard), and Marty Marquis (keyboard, vocals). Before signing a record contract in 2007, the band released three albums on its own dime: an eponymous effort in 2003, Field Rexx in 2005, and the highly acclaimed Wild Mountain Nation in 2007. The latter album landed the group a record deal with Sub Pop.
My Morning Jacket
Runtime: 1 hr 58 minVery few bands today deliver the intense and inventive rock jam live music experience that captures the devout loyalty of fans as Kentucky's quintet My Morning Jacket. This dynamic concert film captures the band's 2 sold-out performances during the Z album tour at the legendary Fillmore Auditorium in San Francisco.
Live at M Studio
Runtime: 17 minLos Angeles rock quartet Dawes are conformed by a great, American musical tradition. Lurking in the folds of their amplified crunch of guitars, road ready rhythms, and soulful blasts of organ lay stories that are weary and lonesome...the product of a life lived out of a suitcase, traveling between far flung places. Laurel Canyon, Woodstock, Haight-Ashbury... You know these places, you know their significance. What started with bands like Crosby, Stills, Nash, and Young, Joni Mitchell, Bob Dylan and The Band lives on in Dawes' snarly riffs and stories. Rock and roll's past colliding with the present in the best way possible
That's Dawes, that's their live show, that's their latest release Nothing Is Wrong. Here though, in our latest session vid, the band try on something different...something a bit more informal and intimate. With nothing more than their mighty harmonies and an acoustic guitar, the band gives a glimpse into their most private world with three cuts from Nothing Is Wrong, emulating those moments when guitars are pulled out on tour buses, in hotel rooms, or quiet backstage retreats. After all, Dawes are a traveling band, the kind of group that can't go without that pounding pavement rumbling under their tires. The road, after all, is the greatest musical tradition.